"Murder, She Wrote" Sugar & Spice, Malice & Vice (TV Episode 1992) Poster

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7/10
"That's What this Series Is Made of"
WeatherViolet30 December 2009
"Murder, She Wrote" episode titles reflect a variety of geneses. Whereas many pertain to a narrative, many coincide with the series' theme; some allude to local color of their specific geographic setting; some parody current or vintage film titles; and some are derived from historic nursery rhymes.

We've now arrived at one of these titles yielding nursery rhyme imagery: "Sugar & Spice..." originates in a 19th Century British verse entitled "What Folks Are Made Of," containing stanzas contributed by various authors, including Robert Southey, who is attributed with at least two of its thirteen traditional stanzas.

"What Folks Are Made Of" attempts to answer philosophic questions, as "What are little babies made of, as well as little boys, little girls, young men, young women, sailors, soldiers, nurses, fathers, mothers, old men, old women, and "all folks." Here, the verse pertains to somebody's daughter, answering instead of "Sugar and spice and everything nice," "Sugar & Spice, Malice & Vice," which brings us back to the series topic....

When Jessica Fletcher (Angela Lansbury) arrives in (another) journey to San Francisco, she meets the lovely and innocent Andrea Cromwell (Kim Johnston Ulrich), whose handsome fiancé, Paul Marlowe (Kevin Kilner) operates an importing venture with links to Hong Kong. But will murder interrupt another wedding? Paul's business associate, Laura Downing (Donna Bullock), harbors reservations against the engagement of Andrea and Paul, while heavies as Charlie Bennett (Beau Starr), Brad Filmore (Gary Hollis) and Luc Li (James Shigeta) shadow Paul in search of a valuable property, they not above resorting to violent measures to obtain it.

Michael Hagerty (Len Cariou) appears on the scene, and Jessica, naturally, perceives him to involve her into international intrigue against her wishes. But this time around, we observe a softer side of Hagerty, as he tries to befriend Andrea Cromwell, to Jessica's chagrin. Hagerty confesses that he's her long-lost father, whom she avoids because of his desertion to her late mother and her as a child, as he went off on a secret mission and never returned. But for now their problems are only beginning.

Hagerty explains to Andrea that he was never fit for fatherhood and attempts ever effort for reconciliation even though he, neither, approves of the wedding because of his strong distrust for Paul Marlowe and his shady connections.

Adam Quatrain (Efrem Zimbalist Jr.) and wife, Cynthia Quatrain (Lenore Kasdorf), also have connections to the Hong Kong conspiracy going on in the backdrop, as they host a lavish reception, while keeping secrets from each other, which Jessica attempts to unravel once a body is discovered. Former daytime serial star Lenore Kasdorf provides refreshingly neurotic characters in her "MSW" guest star roles. Here, she segues from ingénue in her earlier appearances, to wife of the character portrayed by sturdy, capable veteran actor Efrem Zimbalist Jr. (Extra points for them).

After Andrea turns to Jessica for support in trying to decide what to do, Jessica assures her that she's on her side but also puts in a good word for her father even though she understands the tension which Andrea must feel toward him. At a restaurant, at which Andrea and Jessica await the arrival of Michael Hagerty, Paul Marlowe arrives to present his fiancée a gift of jewelry, asking her to hang onto it, while he meets a client.

Paul disappears into a back corridor, which leads Andrea and Jessica on his trail, for now both Paul and Hagerty have explaining to do. But dinner is interrupted when Andrea and Jessica stumble upon Michael Hagerty, who kneels over a knife embedded into a body.

SFPD Lieutenant Pat Hogan (James Handy) arrives on the scene to consider Hagerty the prime suspect, which causes additional estrangement between father and his beloved daughter, as in "Sugar & Spice, Malice & Vice." But Jessica defends Michael Hagerty's innocence as she continues to support Andrea, while trailing the perpetrator of murder.

The cast is rounded out by Patricia Idlette as Desk Person, and Steve Tschudy as Bartender.

This episode represents the most recent television acting role to date by Steve Tschudy. For this episode also marks the first of two "MSW" guest starring roles each for Kim Johnston Ulrich and Kevin Kilner, the second of two each for James Shigeta, Gary Hollis and Steve Tschudy, the third of three for Efrem Zimbalist Jr., the fourth of four for Lenore Kasdorf, and the seventh of seven "MSW" appearances for Len Cariou in his role as Michael Hagerty.
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8/10
A friend in need....
Sleepin_Dragon9 April 2023
Michael Hagarty turns to his old friend Jessica for help when he is implicated in the murder of his daughter Andrea's fiancee.

This was a very well written episode, a very well thought out plot, with some interesting characters, and a friendly face from the past.

It's well paced, and is definitely one of the more serious episodes, don't expect any light hearted chuckles or cheeky one liners, it really is one of the more straight laced offerings.

Some fine performances here, best of all for me was that of James Shigeta, that's a voice I could listen to all day long.

It really did surprise me that this was Len Cariou's final appearance as Michael, I assumed he would have appeared in the later series, he was excellent here as always, one of his best.

8/10.
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7/10
Good entry
coltras3524 May 2022
Jessica enters the dangerous world of dirty international banking when her friend, an MI6 agent, is accused of murdering his daughter's fiance. Len Cariou returns as Michael Haggerty and he's up to his usual snooping for MI6, but there's a bit of an emotional slant in this entertaining entry. His daughter's fiancée is up to no good. Jessica gives a helping hand in proving his innocence of murdering him. It's less of a mystery episode and more of a cloak and dagger intrigue one.
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8/10
The final Michael Haggarty episode...and it's a pretty good one.
planktonrules21 May 2023
I have always enjoyed the episodes with the MI6 agent, Michael Haggarty. Of all the recurring characters, he is one of my favorites. Sadly, however, this is his last appearance on "Murder, She Wrote".

This is an unusual Haggarty episode because you learn more about this mercurial character. It seems Haggarty's daughter is about to marry a real piece of work...and Michael knows the guy is a crook. But try as he might, he cannot convince her that the man is no good. So, when the fiance is found dead and Michael is found with the body, it appears as if Michael took a rather extreme method of getting rid of this jerk. However, he insists he didn't kill the man...and, of course, Jessica believes him.

This is an exciting episode and is quite different from the usual Haggarty episode...though Jessica DID nearly get shot, so it's not completely different! Well worth seeing.
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5/10
A lot of malice, but not a whole lot of spice
TheLittleSongbird3 November 2017
Have always been quite fond of 'Murder She Wrote'. It is a fun and relaxing watch that makes you think as you try to unwind in the evening. If one wants more complex, twisty mysteries with lots of tension and suspense 'Murder She Wrote' may not be for you, but if you want something light-hearted and entertaining but still provide good mysteries 'Murder She Wrote' fits the bill just fine.

Love the character of Michael Hagarty, one of my favourite recurring 'Murder She Wrote' characters and his rapport with Jessica is impossible to resist, but he deserved a much better final episode than "Sugar & Spice, Malice & Vice". Along with "The Sicilian Encounter", it's one of his weakest and most un-compelling ones, disappointing because his other five episodes are very good to truly great, "One White Rose for Death" and "The List of Yuri Lermentov" are particularly excellent with his character.

A shame because Len Cariou does do a very good job with what he is given and he does share a very charming rapport with Angela Lansbury's (also terrific) Jessica. Lenore Kasdorf and Efrem Zimbalist Jnr are decent in support.

Production values are slick and stylish. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune. Some of the writing is thought-provoking and fun and the father-daughter relationship has some heart. One can understand the protective side to Michael.

On the other hand, the story didn't engage me sadly. It's somewhat dull and not hard to figure out (suspects are too few here), that the prime suspect's innocence is never in doubt is getting tired. There's also a who cares quality to it, because the victim is not an interesting one and is too much of an overtly difficult to like person for no reason other than for the sake of it, what Michael's daughter actually sees in him is much more of an enigma than the actual mystery.

Michael himself, charming rapport with Jessica aside, has been written far more compellingly in his previous episodes (even in "The Sicilian Encounter"). Sometimes it is good to see a different side to a character, but here Michael's darker side sees him at his least likable and compelling and feels too out of character for him. For one of the show's best recurring character, he deserved better than that. The writing on the whole is pretty dreary and takes itself too seriously. The rest of the supporting cast are nothing to write home about.

In summary, the main reason to see "Sugar & Spice, Malice & Vice" is to see every Michael Hagarty episode. Otherwise to see a great 'Murder She Wrote' episode look elsewhere because to me this is not it (though there are certainly worse Season 9 episodes and of the show in general). 5/10 Bethany Cox
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5/10
Personal mission
bkoganbing4 June 2018
Len Cariou, Angela Lansbury's co-star in Sweeney Todd on Broadway makes yet another appearance on Murder She Wrote as the ever charming British MI6 agent Michael Haggerty. The running thread in Cariou's shows is that Haggerty always gets Jessica Fletcher involved in one of his cloak and dagger adventures.

Nothing changes here except it's now a personal mission. His long estranged daughter Kim Johnson-Ulrich is marrying a banker Kevin Kilner. But Kilner is not your ordinary banker. His bank is merging with that of Hong Kong racketeer James Shigeta's bank for the purpose of money laundering. The whole thing is being fronted by a former member of Congress Efrem Zimbalist, Jr.

The daughter is not about to take advice from the father who left her and mother years ago. Besides her mother left her quite a nest egg.

The weakness of the episode is it seemed mighty easy for a trained agent to get suckered. But when Cariou is trailing Kilner he's suckered in pretty good. He wakes up with a major headache and the shot dead Kilner next to him.

Still Cariou and Lansbury are as good as always. No wonder the couple was the toast of Broadway.
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4/10
No humor and virtually only one suspect
FlushingCaps3 April 2023
Warning: Spoilers
My review is to point out two huge flaws without truly giving away anything important.

We open with an office scene in San Francisco where Paul Marlowe is a top assistant to the head of some company about to merge with another. Paul is talking to his assistant and then to his boss, who praises him for his work in getting this merger to come-in the immediate future. Paul has a fiancée named Andrea we learn.

After Paul & Co. Leave the office, securely setting a lock for his office door, we see our old friend (Jessica's I mean) Michael Hagerty entering the office area and using some of his high-tech tools to enter the office, but an alarm goes off anyhow just as he sits down at Paul's computer. The security guard doesn't seem to fall for Michael's claim that he is to update the computer, or that the cleaning people let him in, or that he might have gotten the name mixed up, but the guard lets Michael sucker punch him when telling him to look at the writing on a paper.

Then we see Jessica checking into a hotel in San Francisco and finding Michael in her hotel room, and he insists he is not trying to get her involved in another spy caper. We soon learn that Andrea is Michael's estranged daughter and that he is trying to get her to listen to his warnings about Paul, who Michael believes is a big-time white-collar criminal about to get his company involved with a shady other company, involved in multiple criminal activities.

If we viewers hadn't already guessed, it would be obvious who tonight's victim was to be when Michael tells Jessica that if he can't convince Andrea that Paul is no good, he may have to kill him.

Sure enough, we get to see Michael following Paul into the recesses of Jessica's hotel, get conked on the head, and come to just in time for the hotel security to enter to find him next to the dead Paul Marlowe, and be arrested for his murder.

One of the people featured while investigations are taking place, tells Jessica something that we soon learn is a lie, based on what Jessica learned from another person-something that is clear-cut and obvious.

We also see two possible suspects talking together in such a way as to almost certainly eliminate either of them as murder suspects. This leaves us with almost no other suspects who appear to have any reason at all to be involved-and nothing happens to change this. There really seems to be one possible suspect and we really had a reason in one of the opening scenes to note something special that seemed to be a key visual clue-from the camera work-even though it wasn't mentioned again until almost the ending. This visual clue stood out to me and suggested a possible murderer before I knew who would be killed.

Now the light-hearted, somewhat comical episodes of this or any other TV detective series can get away with a fairly-obvious murderer. But when it is like tonight's MSW where there is nothing funny in the least, the drama has to have some mystery to it. At least one other reviewer has downgraded this episode because of a lack of suspects. The motive is one of the two main ones from any series, the killer's character has the type of role this series seems to pick to be the murderer perhaps more often than any other, and even the trap Jessica sets to get the killer to reveal guilt was more obvious than usual.

The two things Jessica spoke about when explaining what let her know who "dunnit" were two things that I was sure of from the get-go.

They did one other quite unrealistic thing--something they often do. Once Jessica traps the killer into doing something that proves that person's guilt, the killer, pointing a gun at Jessica and anyone with her, is happy to chat with them about just how things happened, why they did it, and while it is clear that they are about to shoot Jessica (and friend) they go on talking until ready to do it, and practically announce, "OK, now I have to shoot you on the count of 3, one...two..." and here comes the law officers of tonight's show, bursting into the room just in the nick of time."

My objection is how it is often staged to where Jessica would be a dead woman if the killer, while holding the gun pointing at her, didn't dramatically indicate he/she were about to shoot, but just fired away. That's what happened in this episode-maybe drawn out a bit more than other episodes with a similar problem. Now sometimes the police burst in before Jessica is quite that close to death, but often I have thought how their appearance would have been too late if the baddies weren't so slow to take care of their problem detective.

There were other issues with the script that also made this a weak episode. It wasn't terrible, but as I said, almost from the beginning we had too few suspects and virtually by the time the murder was committed we were down to one realistic suspect. The clues didn't need Columbo to be discovered. I think they tried too hard to make the viewers feel smart by figuring it out ahead of Jessica. I give it a 4.
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