User Reviews

The Doctor has a final showdown with The Master, all to aware of the fate that awaits him should lose the battle.

At only eighteen minutes long, Part give flies by, it really is the stuff of nonsense, silly, surreal, but somehow entertaining. When I criticised The return of Dr Mysterio for having a superhero, I had forgotten that The Mind Robber had one first with Karkus.

I can't think of another series or show, where I've given one episode a ten, and another episode a four, but such is the variation in quality of The Mind Robber, I get why it's so polarising among fans. It's one of those stories you have to be in the mood for. This final episode seems to work somehow, it's a much better mix of sci fi and fantasy, I quite enjoyed the concluding part. 7/10

Up next, some real quality with The Invasion.

Review of all 5 episodes:

This story is very similar in type to the William Hartnell era story The Celestial Toymaker (although this is quite a lot better). It is, like that story, a whimsical trip into a weird make believe world controlled by a sinister power. This idea was returned to again later in the classic series to some extent with aspects of a couple of stories (e.g. Warrior's Gate) and again in recent Moffatt/Matt Smith era series with Amy's Choice and to some extent The Doctor's Wife being derived from the same template.

The excellent first episode has a surprise element with some dramatic and brilliantly unusual happenings such as an exploding TARDIS and an endless white void. It is very well done and provides an enticing, fascinating start to the story. Then there is a thoroughly enjoyable if not quite as brilliant second episode where ideas such as the land of fiction, characters like Gulliver (speaking only lines he spoke in original text, a great idea very well executed) and a maze-like forest of words provide a good amount of interest. After that there is a still very good third episode then a slightly disappointing and occasionally silly 4th episode and a decent but rather unremarkable and not wholly successful 5th episode.

This has a disappointing lack of development after such a promising start. It must go down as a missed opportunity which would have been better as a 3-parter. Great first episode though.

My Ratings: Episode 1 - 10/10, Episode 2 - 9/10, Episode 3 - 8.5/10, Episode 4 - 6.5/10, Episode 5 - 7.5/10

The sixth season of Doctor Who began with a rather dull and obvious serial and was not the most inspiring of starts. At the end of that story the Tardis is forced to make a sudden jump out of the path of an erupting volcano but it isn't ready to do so and as a result gets thrown into some sort of limbo with nothing on the outside. This happens within the first few minutes and from there things start getting strange – Jamie and Zoe believe they have arrived in their respective homes as this is what they can see in the viewing screen, but on the outside is nothing – just literally nothing, a clear white everything. The first episode alone took me by surprise because it is so very different from the previous serial and so very interesting that it had me from the start.

This continues with plenty of moments which even now, to a grown man, are spooky and unsettling; a scream playing over an image of a peaceful Jamie and Zoe beckoning, a creepy voice-over, the destruction of the Tardis and just generally an odd sense of this being something different and unusual. On top of this one of the characters gets frozen and his face removed, leaving a quite startling image of this frozen faceless image – which works even if I think it would have been better to freeze the character as a person and throw a white stocking mask over him, but the cardboard image works too. When the Doctor reconstructs Jamie into someone else by mistake, it was around then that I started to wonder what the hell I was watching because it no way is this the same season that started out with such a snoozer. But it is and it continues to be as unusual as this with the world turning out to be a wholly fictional creation of a great intelligence (no, not that one) and controlled by the master (no, not that one either it transpires).

It isn't perfect by any means and indeed some of it is a little silly (the wrestling moves with a comicbook superhero) and ultimately the conclusion is not quite as good as it could have been but it is engaging, creative and enjoyable. Personally I would have liked some more challenging edge pushing and pushing the idea (those familiar with the Doctor from the original Open Your Eyes, this is the sort of thing I would have liked) but it does still do that – and I can only imagine seeing it with 1960s eyes as opposed to someone grown up with more envelope-pushing ideas. The creation of the fictional world is good because it is variable and it wisely builds off nothingness – which is more unsettling than any castle of sci-fi set. The effects may have dated but characters without faces, Medusa moving in and other such things do tend to unsettle.

The cast work very well within this. Troughton convinces as being thrown and battling. Hines is good even if he doesn't quite have the range I would like – he is good at the action stuff and being a foil, but anything more subtle (like fear or doubt) he isn't breaking; I hate to keep comparing him, but he is no Ian. His replacement Wilson is alright but it is such a weird change in and of itself that it is effective even if he was poor. Padbury shows that, no matter what else she can do, she is a tremendous screamer – a real bloodcurdling one. She is pretty decent as a companion based on this but again, her role seems so fixed and very much a supporting one, she is no Susan and no Barbara – but this is not her but the direction of the show.

The Mind Robber is not perfect but it is so out of the box (literally given the end of the first episode) and so unusual and fresh as an idea that it is hard not to enjoy it. Add into this some genuinely unsettling aspects and you have a really pretty strong serial that more than makes up for a lackluster start to the season.