This animation is very beautiful, but very weird. It's a strange mix of the animal and the anthropomorphic, and the recognizable and the alien. A hungry rat follows a bag of cheetos into a ventilation shaft, which gives away to an animal testing facility where he meets a white female rat, and the two fall in love. They manage to have some brief moments together before a failed escape keeps them permanently apart, in a touching moment of loss.
What's the testing facility for? We don't know. Are the white rats genetically engineered? They may be. The story is told through the perspective of the hero rat, so narrative answers like these aren't given. Yet the strange and alien world the rat finds himself in seems so utterly familiar within its alienation, partly because of its science fiction tropes and partly because the rats aren't just rats, they do have vestiges of anthropomorphic characterizations (which become more and more recognizable as the short goes on).
This alien/familiar dichotomy creates both wonder and fear, which is aided by the dark film noir quality of the outside of the facility and the washed-out white quality of the inside. No space really seems comfortable in this animation, which makes it terribly cynical. However, the ballet-quality exposition of the bag and the moment when the rats are together give it just enough hope for the audience to really relate to this rat's strange/familiar adventure, which makes the ending just that much more powerful. I don't know what it means, but I can't shake it from me.
--PolarisDiB
What's the testing facility for? We don't know. Are the white rats genetically engineered? They may be. The story is told through the perspective of the hero rat, so narrative answers like these aren't given. Yet the strange and alien world the rat finds himself in seems so utterly familiar within its alienation, partly because of its science fiction tropes and partly because the rats aren't just rats, they do have vestiges of anthropomorphic characterizations (which become more and more recognizable as the short goes on).
This alien/familiar dichotomy creates both wonder and fear, which is aided by the dark film noir quality of the outside of the facility and the washed-out white quality of the inside. No space really seems comfortable in this animation, which makes it terribly cynical. However, the ballet-quality exposition of the bag and the moment when the rats are together give it just enough hope for the audience to really relate to this rat's strange/familiar adventure, which makes the ending just that much more powerful. I don't know what it means, but I can't shake it from me.
--PolarisDiB