User Reviews

I went to see this film out of the blue, wasn't hyped, didn't even know it came out yet. However I am a fan of Asian films, not hardcore as some but I've watched my fair share, also you can say I'm a fan of Daniel Wu and of course Jackie Chan.

That said, this film you can put next to Jackie Chan's more serious films, and without a doubt IS his most serious film in all his career, in my opinion.

The plot is obviously based on the Chinese people who "migrated" to Japan and their struggles and battles to establish themselves, mix in Japanese yakuza, turf war and old missing friend(s), and then to top it off depiction of human tendencies to be corrupted by power.

Analyzing the plot is time consuming and I don't get paid for it, so I wont get into it too much at all. However I do want to mention that it is a gritty film, it is violent, harsh but these things were necessary to set the tone of the film. Don't expect the usual Jackie Chan flips, martial arts, fun kung-fu action scenes.. no.. its more realistic that violence is represented by people chopping each other almost Kill Bill-esquire.

It is a serious film, well shot, well acted and the cast were well suited. Daniel Wu is good in it, although some questionable and real quick turn of character as the movie goes on. Jackie Chan is good too, the man can put on a serious face and act in a dramatic role when he needs to. I'm glad it was made for the Asian audiences, I can imagine it being only being mediocre if not bad if westernized.

If you want a film with a scar face esquire story/plot, lots of gang members fighting, a bit of drama, heaps of blood and quiet frankly a pretty darn good film... then I recommend it.

Its a 4 star movie for me...

The dark world of Film Noir, with its complex plots, shades of gray and evocations of unrelenting human evil, has long been one genre where Hong Kong cinema has lagged behind Hollywood. After "Infernal Affairs", however, things have changed, and Hong Kong cinema has finally gotten to this profoundly affecting and challenging genre.

Jackie Chan stars as Iron Zhao aka Steelhead, a truck repairman from China's poor but happy Northeast who settles down as an illegal immigrant in Tokyo, and after a series of run-ins with the Yakuza, rises to power as the Don of Chinese illegal immigrants. However, things get out of control when Steelhead is foolish enough to believe in clean getaways in a world that offers none, and soon comes to seal his own fate. A superb supporting cast rounds up this tale of a man's tragic fall from Grace against an unstoppable tide of greed, corruption and evil.

Derek Yee creates a grandly atmospheric, neat piece of work evoking the grime and grit of Tokyo existing under the glittery clean streets, to bring out an immortal tale that has existed as long as there were cities: a tale of hard-luck immigrants who fight their way to the top against all odds in the world of crime, and for the pursuit of money and power, damn their souls to hell.

Jackie Chan has been known to audiences worldwide for his spectacular, comedic and stunt-filled martial arts. Well, now in this movie, Chan gets to show off acting chops as well, with a few kicks and punches thrown in as well.

The setting and story are surprisingly solid and well done. The movie paces along in a brisk pace (courtesy of director Derek Yee), and is gripping throughout. The cinematography is beautiful at times and gritty at others, showing Tokyo as a whole. And it's fun to see Japanese and Chinese spoken a lot in this film, really pulls you into the film further.

While the level of violence is the highest than any other Jackie Chan movie (there is graphic brutal violence in some action scenes), the total amount of violence is surprisingly little, with the majority of the film dealing with the characters' trials and tribulations. There are some fight sequences, but don't expect Chan to do his usual thing; at times he's down to earth and makes us genuinely feel for his character, at times he is directly brutal. This film is NOT for the easily disturbed.

The acting is above average. Chan delivers a standout performance, an illegal worker who tries to protect his kinsman by gaining respect by and protecting themselves from the Yakuza. Another great performance comes by Daniel Wu, a fellow immigrant who gets his innocence lost... the hard way. The two love interests and the detective also get props too.

For those of you expecting another Chan romp ala Rush Hour and Supercop, you may find yourself refreshed at Chan's sudden change of pace. For those who like crime dramas such as City of God, give this one a shot. This is definitely one of Chan's highest marks, and I hope to see more of the new, dramatic Chan in the future.

Overall rating: 8/10

In the early 1990's, a Chinese man named Steelhead illegally enters Japan by way of a cargo ship, which sinks off the coast. He is looking for his fiancé Xiu-Xiu, who disappeared in the country years before. Stranded miles from nowhere without his papers, Steelhead somehow makes it to Tokyo, where he rendezvouses with friends from back home. They teach him the tricks of the underworld, and he is soon the de-facto leader of an all-Chinese gang. Still searching for Xiu-Xiu- and incurring the wrath of the Yakuza- Steelhead comes to realize that the grass is not necessarily greener on the other side, and that life in Shinjuku may not be worth living at all.

Directed by Derek Yee, 'Shinjuku Incident' is a dark drama that makes for a refreshing change of pace for star Jackie Chan. Yee and co-writer Chun Tin-nam's screenplay focuses on the experience of illegal immigrants, examining how some are taken advantage of and left with no prospects outside a life of crime. Their version of Shinjuku is a violent, inhospitable place populated by bottom-feeding scum and insidious gangsters. Steelhead's story- of an outsider being perverted by the depravity of the city- is a sadly believable one, at times feeling reminiscent of films like 'Manila in the Claws of Light.'

This is not to say the screenplay is without fault. Secondary characters are generally ill-defined and- more often than not- sequences involving the Yakuza feels like a pale imitation of the work of Kinji Fukasaku. Additionally, the character of Steelhead is initially morally ambiguous, though paradoxically becomes more virtuous as he rises in the criminal underworld. Perhaps this was done to acquiesce to Chan's cardinal rule that he never plays a villain- or an irredeemable one, that is. Whatever the reason, it is a strange bit of characterization that feels slightly jarring and out of place within the gritty urban drama that the film is billed as.

'Shinjuku Incident' features assured cinematography from Nobuyasu Kita that highlights the grime and degeneracy of the city. Oliver Wong's impressive production design adds to locations a feeling of authenticity, which the detailed set decoration compounds. Furthermore, the costume design from Satoe Araki and Angelo Bernardo Castillo is striking, with Xiu-Xiu's kimonos and various Yakuza outfits being particularly memorable.

Jackie Chan stars as Steelhead, delivering a restrained performance that ranks alongside his very best. Chan has proven himself an adept dramatic performer before, in projects like 'Heart of Dragon' and- to some extent- the first two 'Police Story' pictures. Here he showcases a great amount of vulnerability, disappearing inside the character in a way he had not done before. Though Steelhead has a moral code and plenty of redeeming qualities, it is still the closest Chan has ever come to playing a bad guy; and he does it brilliantly.

Chan's co-stars prove themselves to be up to his standard, with a few being especially deserving of praise. Daniel Wu stars as a friend of Steelhead's named Jie, who has an interesting character arc that Wu realizes brilliantly. A multifaceted talent, Wu threatens to steal the picture at times with his remarkable ease of performance. Additionally, Fan Bingbing does excellent work as Steelhead's love interest Lily, demonstrating the boundless charisma and pure acting prowess that has endeared her to so many. Also worthy of note is Naoto Takenaka's performance as Inspector Kitano, which is- simply put- faultless.

A gritty urban drama, 'Shinjuku Incident' offers fans of Jackie Chan something a little different. Violent, exciting and nicely shot by Nobuyasu Kita, the film has many positive elements. While the story may lose steam in the latter half, and a few of the secondary characters are underwritten, it is still entertaining and suspenseful. For fans of Chan- and of Hong Kong cinema in general- 'Shinjuku Incident' is well worth a watch.

Jackie Chan's darkest film yet is a quality piece of drama exploring life within Japan's Yakuza gangs. It's a very atypical film for the star, better known these days for his kid-friendly fare in American family films. For fans of Asian thrillers, the gangster elements will be largely familiar, but they're introduced in a novel and interesting way; it's the first film I've seen detailing the plight of Chinese refugee immigrants in Japan.

The twisty-turny plot offers up many twists that are difficult to predict, and the on-screen action is never less than interesting. Jackie gets the opportunity to focus on his acting rather than his martial arts for a change, and he shines as the conflicted farmhand-turned-gangster. Although this isn't an action film per se, there are many memorable set-pieces, not least a large-scale climax that makes for riveting entertainment.

The film's well-shot, if a little dark, and features decent turns from actors in supporting roles (Japanese actors Naoto Takenaka and Masaya Kato are both excellent). Daniel Wu's character in the film undergoes a particularly frightening and believable transformation. The scenes of violence and torture may not be for every viewer's taste, but THE SHINJUKU INCIDENT is a rewarding experience for those viewers exploring Jackie's progression as an actor.

This is a totally different style of movie that we are so used to see from Jackie.

It is however a very touching story that i highly recommend to others to watch.

The movie is enticing all the way and the directory has done a fantastic job in his filming and story telling.

Given my background, i can very much identify with the characters in the movie.

Life is full of surprises, highs, lows, twists, irony, love, hate, joy, pride and all these are found in the movie.

Just loved it.

Contrary to many, at least outside the US, I was introduced to Jackie Chan through Rumble in the Bronx. It was his first big hit in the US, and it ushered in a bunch of other Chan films (i.e. Superop, First Strike) into theaters. It was invigorating to see someone with Chan's skills as a fighter, using martial arts like a dancer and doing it all (sometimes painfully) himself. Then audiences could dig in to one of two things: his previous catalog of work from Hong Kong (i.e. Police Story series, Drunken Master), or films like Rush Hour and Shanghai Noon/Knights and his stint in Hollywood. But now he's in his mid-50's, and one wonders if we might see the last of Chan as a real action-oriented star, especially considering forgettable drek like The Spy Next Door is still playing in theaters.

But there is perhaps some hope, and coming in part from Chan himself (for this film he's exec-producer). In The Shinjuku Incident, we see a step forward for Chan in being simply a dramatic actor, as opposed to doing tons of fights and martial arts. Sure, there's still a few stunts to pull in the film, but nothing more than hitting someone with a stick or chopping off a hand really "happens" in terms of the stunts (or, of course, running). Chan is at the service of the story as an actor, and maybe we'll see more of these thrillers or dramas with him as the star; whether they range from greatness to crap is left to be seen. Shinjuku Incident is a nice step in a direction quite removed from The Spy Next Door, and is worth seeing for Chan first, then as a decent Yakuza movie.

The premise has Chan, as a character nicknamed "Steelhead" for his work early on in the film as a laborer, coming to Japan to work menial jobs and find a girl he knew in his village. But he also needs to become a legal citizen (there's a lot of illegals coming into Japan, we learn, as it's the 1990's before China's economic boom), and soon becomes absorbed into a life of crime. Or rather, he does a couple of jobs- one especially for revenge for a friend whose hand was cut off- and ascends to become head of a triad. The story mechanics are a little complicated at times- you do have to pay attention to who is in charge where or who has a vendetta against someone else (in the last third it becomes clearer and more focused to understand)- and the characters are well laid out.

As far as being quite original, I'm not sure. These sorts of stories and ideas have been dealt with before, and none other than Takashi Miike has made a career in part on doing stories about Yakuzai and/or Triad gangs (his first film was even called Shinjuku Triad Society, and concerns a similar theme present in this film: China vs. Japan gangs). And by the end the drama is a bit forced, and a resolution involving a USB is a little circumspect, just as a contrivance really. But it's competently told and filmed by Tung-Shing Yee, who has a history with crime films, and he can always come back to his star when he needs a strong dramatic lead (not that some of the other actors, like the one playing the amputee with a facial scar who becomes a drug dealer, don't do their best too).

I was surprised by how moving Chan could be, if not as memorable as in his Drunken Master days, and it's a good sign of things to come as he goes on in years. It's a small, exciting movie with no big surprises and some interesting dramatic beats.

I want to start by saying this: if you're a fan of Jackie Chan's usual slapstick acrobatics and comedy that doesn't mean you should shy away from this film. Yes, many of those movies are great but it's also nice to know he can...you know...actually act. Just think of it like Robin Williams doing One Hour Photo. Sure, you knew him as Mork, but he was absolutely perfect for his role in One Hour Photo as the insanely creepy photo lab guy. And so it goes for Jackie Chan. His bread and butter will always be goofball kung fu films but man...he can definitely act if he has to.

In terms of plot there really isn't much you haven't seen before in this film. If you've ever watched a movie about a guy crossing the Yakuza while trying to get the girl, not a whole lot will be new here. I did like the added sense of unity that most Yakuza movies lack with all of the Chinese immigrants. Also, the film touches on the often tenuous relationship that China and Japan share. That's not usually presented in a realistic manner...maybe in Jet Li's Fist Of Legend (still one of the best kung fu flicks to date in my opinion), but that's more of a period piece. And forget about all of those Men Behind The Sun films...while they may be somewhat accurate they're more like snuff films than a real historical look. This may also be (to my knowledge, anyway) Jackie's first Category III movie (for westerners who are unfamiliar, this would be the equivalent of the US's Unrated status or maybe the UK's 18 rating. And I think the Aussies have MA-18? Whatever). So it took Chan until his 50s to make a movie with enough substance to carry such a heavy rating.

I'd definitely recommend this for Jackie Chan fans...especially the ones who started to feel like they'd gotten a bit tired of seeing him doing the same "awe shucks" good guy hero thing. Don't get me wrong...Dragons Forever ranks right up there for me among kung fu films, but you can only milk that for so long, you know? Hell...even Adam Sandler moved on and, let's face it, he's not the most mature guy in the world. But Chan succeeds where Sandler failed...he proved he can be counted on in a dead serious role and deliver as good as ever.

Another inspiring and meaningful movie directed by Derek Yee, he still intends to educate his audience after the success of "Protege" The story of the movie is very very good indeed. 10years of planning in pre-pro gives Derek Yee a solid script, but he tends to inject too many incidents and characters to the movie. Which is why, he didn't actually put all his effort into every scenes. I cannot really recognize his style in this movie, but of course he is still very focusing on the message of the story. No action and stunts by Jackie Chan, which is...quite weird for me....but we all gotta try to accept him...maybe give him a chance. Another fantastic performance by Daniel Wu, always maintain his own acting style while he has already possessed to his character. "Shinjuku Incident" is a movie that is worth for a watch, if you are not looking for an excellent cinematography and editing aspects.

The stronger message in the story here, is how easily the Chinese get taken advantage of. As the adage goes, united we stand and divided we fall. It's very obvious that given the myriad of Chinese, from the Mainlanders with the different dialect groups to the Taiwanese to the Hong Kongers etc, the immigrants here are shown to exhibit solidarity when they are together, sharing whatever little spoils they have as they build their little community. But quick success would mean the opportunity for corruption to creep in, splitting up the unity established, and spawn plenty of infighting to make the community weak again and ripe for the picking by their enemies. Perhaps in not wanting to acknowledge this issue as highlighted in the film, would have resulted in making Violence an excuse for the Chinese censors to drag their feet in awarding a rating, since they put the people on the whole in some negative light.

One scene too was reminisce of Bruce Lee's Fist of Fury, where Lee's character Chen Zhen rips apart a signboard that says "Sick Man of Asia". Here, lead actor Jackie Chan tears away a sign that says "No Entry to Chinese", but this is no action movie for the action star we're so used to see. In fact, if Shinjuku Incident was a typical Jackie Chan film, then we would see him kick everyone's rear with nary a scratch to himself. Here he drops his superhuman persona, wanting instead to take on a more dramatic, ordinary role as Steelhead, a simple man from Northeastern China who made his way to Tokyo in order to look for his lost love Xiu Xiu (Xu Jinglei).

He strikes an unlikely friendship with Japanese police inspector Kitano (Naoto Takenaka in a more dramatic role too, as I associate him with madcap characters he plays in zero-to-hero movies), and works his way around the new environment with the help of Daniel Wu's cowardly Jie, and with the likes of supporting characters played by Chin Kar Lok and Lam Suet. Together with his Chinese buddies, Steelhead embarks on a life of crime after seeing his lady love had already moved on in life, and a crime he committed back home meant his new one should begin in Japan, hence the desire to achieve instant results. It's almost quite an insult though to the Japanese's polite society manners that the Chinese sought to exploit for personal gains.

Derek Yee had fused some realism into his previous triad drama Protégé, and here he does the same in bringing on the Japanese crime lords, where their latest election of a new leader brought about unhappiness amongst the ranks. So the illegal immigrants got embroiled in the new turf war, in order to lead it to the second and very hurried act of witnessing how power could corrupt, especially when the person at the top, steelhead, decides to adopt a nepotistic approach in delegating power to friends out of pity, or out of having to repay favours, and didn't spell the out-of-bound markers clearly. All this just because of his rebound affection for Fan Bingbing's bar hostess Lily, who's severely underused here.

Surprisingly the many subplots cooked up for the film, got let down by the relatively fluffy narrative style. It had wanted to deal with multiple themes (like selfishness, unity, betrayal and doing deeds for the greater good at whatever the costs), but found itself introducing them quite haphazardly, jumping from one point to the other sometimes with disregard to time. While action sequences are very sparse and bordering on shock value with in-your-face type violence, the finale whack-fest brought to mind some Johnnie To classical stand off moments, but unfortunately was let down by the tight shots and poor lighting. And lo and behold, the guilty party in ruining the film experience is the trailer which basically spelt everything out in black and white terms, so if you haven't seen any clips of the film, don't.

Jackie Chan had limited success in taking on a more dramatic role, and a morally ambiguous character who's prime motivation may have seemed like a mechiavellian one masked by a very simple exterior, and looked clearly uncomfortable in not being able to unleash his usual repertoire of stunts when surrounded by thugs. Deniel Wu however upstaged Chan with ease with his Jie role, despite having to suffer bad hair days throughout the film with a ridiculous perm, and a Joker-esquire makeup in the latter half. And following the Jackie Chan trend, female characters are little to show for, and here both Xu Jinglei and Fan Bingbing's characters do nothing more than looking good and offer translator services.

Shinjuku Incident is a good effort, but nowhere near the ranks of Derek Yee's better films. This is not to say that this film is no good, but it could have been much better. A pity too that it had to end with a whimper.

If you want deep, realistic drama this movie is for you. If it's action you're looking for, you'll be disappointed. I admit that I couldn't finish watching this movie and got rid of the blu-ray.

The violence depicted is too unpleasant for my taste and I prefer martial arts instead, which is what I expected from Jackie Chan. Credit must go to him for the acting as he's showing he can put on a convincing performance in a serious role. I think this movie will appeal to a specific audience though, if that's you, you'll probably rate it much higher.

Bit of a surprise this film. Recorded it as was a Jackie Change film. Seen numerous of his films over the years when I was a kid, but tended to avoid his latest stuff which was just dirge. This though looked and sounded different.

Note, there's no martial arts, there's no comedy and there's no 'Jackie'. He practically doesn't even smile. Instead we have Jackie Chan playing it straight as an illegal immigrant to Japan from China, aiming to make a living. Up against it, he and his cohorts get tangled up in the local mafia problems, and find that crime is their only way to survive. Some though have their limits, others don't know when to stop.

This was an interesting enough movie, and Jackie Chan shows he has good acting ability away from his comedy family friendly fare. Ably assisted by a good ensemble and some good cinematography, the whole piece is well put together.

Yet it still lacks something. It doesn't help that despite the change, Jackie Chan is still at the end playing the little guy with a heart and soul. There could have been a bit better developed story too. It wasn't bad but nothing special, yet was still good. Reverting to type for Jackie Chan's character in the last quarter was not a good move I think.

It's a fair film, and if you like your Asian gangster movies then this is not a bad choice. For Jackie Chan it was nice to see a change, but it's also a lost opportunity too.

Yes, Jackie Chan can do serious drama acting.

In fact, if you're a fan or you're familiar with his pass work, such as 1985 "Heart of Dragon", he's drama acting is quite good.

Westerners who only know Jackie by "Rush Hour" might find this film distasteful as it doesn't fit their stereotypical expectation of a funny/silly ass kicking Jackie Chan.

This movie puts on stage the tragic human drama of Chinese illegal immigrants in japan. The film payed a lot of attention in the details, and its backed up by so many good/great actors from mainland China, Taiwan, Hong Kong, and japan.

The director strikes a PERFECT balance in handling the sensitive relationship between Chinese and Japanese.

There isn't much special effects in this movie. It all comes down to the realistic acting and intriguing storyline and ends with a befitting conclusion.

It's very unfortunate this movie hasn't received the publicity it deserves especially in the west. If you're observant, you might notice that even "IMDb.com" is downplaying the influence of great Asian movies such as this one by giving it a Cantonese title "San Suk Si Gin (2009)" instead of "Shinjiku Incident" in an attempt to withhold it from English speaking audience.

Everyone from mainland China, Taiwan, Hong Kong, and most of all japan, SHOULD WATCH THIS MOVIE.

Ironically, if you're westerner who likes Jackie Chan because of Rush hour, YOU DEFINITELY WON'T LIKE THIS DRAMA!

Tietou/Steelhead/Nick (Jackie Chan) leaves his rural Chinese village to search for his love Xiu Xiu who had disappeared in Japan. He travels illegally on a freighter but he cannot return home after an incident. With his friend Jie/Joe, they try to survive on the fringe. He saves Detective Kitano's life in a raid. He discovers that Xiu Xiu/Yuko Eguchi had married Yakuza leader Eguchi who is more open-minded than other Yakuza. He starts to build a Chinese pretty crime family but Jie would rather have a roasted chestnut cart. Taiwanese triad leader Gao discovers tampering in his pachinko machine and savagely cuts up Jie. He sneaks in to avenge Jie but overhears a plot to kill Eguchi. He saves Eguchi's life and he is given territories to control. He tries to govern within the law and puts Jie in charge of new people. The years pass by and the gang becomes corrupt. He tries to give himself up to Kitano. Jie becomes more brutal and Yakuza boss authorizes the overthrow of Eguchi.

Jackie Chan's character is way too moral. His desperate goodness feels clunky. It's nowhere near the silliness of 'Rumble in the Bronx' but the attempted grittiness is betrayed at almost every point in the story. The violence gets a little bloody but feels limited. The big action scene is the bad guys throwing rocks. I do want Jackie Chan to branch out into more gritty and less kung fu fighting action. This is not quite there although I like the attempt.

Jackie Chan is a martial artist. He's made his fortune by becoming a modern day kung fu master, learning to act, and defying gravity "Crouching Tiger" style without a single CG effect needed. I remember watching the outtakes from Rumble in the Bronx several years ago. In one of them, a young Jackie Chan sat on a gurney with a twisted ankle after a failed stunt. The studio doctor put a cast around his foot that was made up to look like a regular tennis shoe. Fake shoe in hand (foot?), Chan jumped back onto the set and continued to defy gravity "Hidden Tiger" style without a single CG effect or two working legs needed.

Fast forward to old, rich Jackie Chan. He can produce his own movies now, so no need to work hard. He owns the studio doctor, and probably the guys entire extended family. But while he doesn't bring in his trademark kung fu moves, he does make every attempt rehash his tried and true character - a simple man, down on his luck, and through determination and Forest Gump style understanding of the world, he overcomes obstacles blah blah blah.

In fact, they should really call this movie the Forest Gump Incident. Chan's character bumbles his way through this movie, does about zero kung fu moves (well, at some point he does hit a dude with a stick a few times), and then he rakes in a bunch of cash from uncritical movie goers. He even goes out of his way to NOT get into fights. Just when you think Chan is about to pull a CHAN VS 30 NINJAS fight scene, he simply WALKS outside and then no one goes after him. Or, to mix it up, some dude will stab him, and then he will STUMBLE outside and again, no one goes after him.

By itself it's a so-so movie.

But it's also a terrible Jackie Chan movie.