Yeah, great world-building, but pretty slow & increasingly woke
Weak man, Alex, scorned by his wife, rejected by his children, seduced & used by a random woman, betrays all his secrets the moment he's injected with some drug, then rescued by a woman, Bobbie, super-marine
No-nonsense, masterful female captain (Cara Gee's Drummer obviously), leads her forces with an iron hand, institutes unthreatening free love on her ship (whoa, wouldn't you want to be a deckhand on that ship right?), sleeps with her female underling (power differentials don't matter in space / between women apparently), grieves for her dead male rival turned greatest friend Ashford, who sacrificed himself for her, through the medium of les bian love, all while discovering the secret Ashford left from the grave.
This a week after Amos is beating everyone up for no reason in irrational displays of toxic masculinity.
Occasionally great show, let down by the usual ceaseless gender subversion.
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