You know the text. You are more than familiar with atmosphere. And, at the first sight, you discover the impecable, profound and just impressive performance of sir John Gielgud as only reason to see this adaptation of couple pages from The Brothers Karamazov.
But it is, yet, Dostoievski in pure form in this adaptation.
At the end, you understand than the star of this short film is Michael Feast in the role of prisoner. Than the speech of inquisitor has as destinatary yourself and only you.
This is the virtue of this teleplay- the dialogue with your faith , more intense today than in the year 1977 .
The answer - the kiss of prisoner . Because, in so high measure, in so many forms, The Great inquisitor is us.
But it is, yet, Dostoievski in pure form in this adaptation.
At the end, you understand than the star of this short film is Michael Feast in the role of prisoner. Than the speech of inquisitor has as destinatary yourself and only you.
This is the virtue of this teleplay- the dialogue with your faith , more intense today than in the year 1977 .
The answer - the kiss of prisoner . Because, in so high measure, in so many forms, The Great inquisitor is us.
