Ultra-Low-Budget Australian Film with some Talent Behind the Camera. The Director Financed the Movie Using the Barter System Returning Favors for Investors like Filming Documentaries.
It is a Very Good Looking Movie Using a Sleek Digital Format. The Best Scenes are the ones at the Prison and are Authentic. But in the Climax, here We go Again, the Unnecessary use of Shaky Camera is Overdone and even takes it to a New Level of Vibration.
The Shootout is so much Mayhem in a Confined Space and Visually it is Impossible to tell who is Doing What to Whom and the Thing Collapses into a Catastrophic Letdown. Until then the Film is Well Handled and Intriguing Enough, Creative, and Professional.
It is a Very Good Looking Movie Using a Sleek Digital Format. The Best Scenes are the ones at the Prison and are Authentic. But in the Climax, here We go Again, the Unnecessary use of Shaky Camera is Overdone and even takes it to a New Level of Vibration.
The Shootout is so much Mayhem in a Confined Space and Visually it is Impossible to tell who is Doing What to Whom and the Thing Collapses into a Catastrophic Letdown. Until then the Film is Well Handled and Intriguing Enough, Creative, and Professional.
