David Perry aka Ben Dover has been making amateurish porn for over three decades now, and this Bluebird stinker is typical of his sloppy approach. It's phony as a 4-pound note.
With familiar Brit Porn icons (Cindy Behr, Kaia Kane, Tammie Lee and Jasmine Webb as his assistants, ebullient Ben presents TV episodes of a new porn talent show in which the discoveries are slightly less familiar Brit Porn actresses passed off as newbies. With another guy in tow (usually identified but ringer Paul Chaplin thrown in but keeping his face hidden from the camera) he stages group sex foursomes over and over until the dumb feature mercifully ends. It's a variant on the orgy emphasis that Chaplin and his forlorn Bluebird label promulgated on an unsuspecting public for about six years before going belly up.
Lucy Love is an obvious ringer in the "new talent" department, while both Hannah Shaw and Farrah Fox are reasonably young and fresh. Opening scene has Dover/Perry supposedly giving Kerry Louise her "big break" but that's a stretch.
Much of the footage is in black and white generated from Dover's familiar "Ben Cam", a tiny video camera he's often seen holding and typical of the poor production values and poor technique that remain his trademarks.
With familiar Brit Porn icons (Cindy Behr, Kaia Kane, Tammie Lee and Jasmine Webb as his assistants, ebullient Ben presents TV episodes of a new porn talent show in which the discoveries are slightly less familiar Brit Porn actresses passed off as newbies. With another guy in tow (usually identified but ringer Paul Chaplin thrown in but keeping his face hidden from the camera) he stages group sex foursomes over and over until the dumb feature mercifully ends. It's a variant on the orgy emphasis that Chaplin and his forlorn Bluebird label promulgated on an unsuspecting public for about six years before going belly up.
Lucy Love is an obvious ringer in the "new talent" department, while both Hannah Shaw and Farrah Fox are reasonably young and fresh. Opening scene has Dover/Perry supposedly giving Kerry Louise her "big break" but that's a stretch.
Much of the footage is in black and white generated from Dover's familiar "Ben Cam", a tiny video camera he's often seen holding and typical of the poor production values and poor technique that remain his trademarks.