We may all say that be are true to ourselves and that nobody is our master, but really we all just want to fit in – whether it is the man in the office attire on a Monday afternoon, or the heavily tattooed goth (fitting in with others the same). So this does appear to be a theme of short film Jamón, which sees young pig Jose living with a human family and trying to suppress his true nature, meaning he has a fake moustache on and is trying to avoiding eating like, well, like a pig. This hidden life continues until a new neighbour comes into the area, giving Jose a whole new perspective on who he is and who he can be.
Although there is an upbeat and cartoony feel to this short film, and although it does tend towards a cheerful message, this is not to say that you should relax into it because the conclusion is surprisingly dark for what goes before. In cheerful animation we get to like Jose immediately as he tries to pass himself off as a human with fake facial hair, and moisturizing his hooves. When the short introduces the idea that it is okay to be a pig, we do sort of know where we are going and, since we like Jose, we go along with him. However I was surprised by how dark the film became – not just in the fate of the adult pig, but also in the emotional fate of Jose.
It is a pretty dark message that not only does the main character realize he cannot be free and relaxed after all, but that he feels he needs to so totally try to stop being who he is. It is a memorable place to take the short, and a brave one too since it follows much more upbeat and comedic material – plus it is not a popular message in these days of pop-psychology empowerment, although it may be a true one in many cases. Whether or not López was aiming for the film to have the impact in this way or not I do not know, but it did make me think of those groups that do have to deny themselves for their own safety – it is easy to forget that homosexuals, for example, have to fight to be accepted, but there are some places in the world where that fight only ends in their death.
These are odd thoughts to have in response to an animated short about a pig trying to live as a human, but I think it was a better film for being this way.
Although there is an upbeat and cartoony feel to this short film, and although it does tend towards a cheerful message, this is not to say that you should relax into it because the conclusion is surprisingly dark for what goes before. In cheerful animation we get to like Jose immediately as he tries to pass himself off as a human with fake facial hair, and moisturizing his hooves. When the short introduces the idea that it is okay to be a pig, we do sort of know where we are going and, since we like Jose, we go along with him. However I was surprised by how dark the film became – not just in the fate of the adult pig, but also in the emotional fate of Jose.
It is a pretty dark message that not only does the main character realize he cannot be free and relaxed after all, but that he feels he needs to so totally try to stop being who he is. It is a memorable place to take the short, and a brave one too since it follows much more upbeat and comedic material – plus it is not a popular message in these days of pop-psychology empowerment, although it may be a true one in many cases. Whether or not López was aiming for the film to have the impact in this way or not I do not know, but it did make me think of those groups that do have to deny themselves for their own safety – it is easy to forget that homosexuals, for example, have to fight to be accepted, but there are some places in the world where that fight only ends in their death.
These are odd thoughts to have in response to an animated short about a pig trying to live as a human, but I think it was a better film for being this way.
