There's a merit on presenting heavy theme with simplicity, Age of Kill opens up with intriguing premise of a sniper forced to do a terrorist's bidding. It is a good start for a film which unfortunately becomes needlessly complicated later on. Using too many subplots revolving around abundance of tired characters, most of whom are far from likable, the film becomes too tedious and chaotic for audience to invest on.
The initial set-up works pretty well, introduction for its protagonist is focused with minimal interruption. However, the film strangely shifts into myriads of other perspectives which are not only hampering the main plot, but seem out of place, especially when it also puts restriction of following an inflexible timeline.
There is viewpoint of the police inspector following the killing spree, but the female chief role is overbearing. It may be to establish an empowering authority figure, yet the actress delivers the personality with shallow unfriendly delivery. As the sniper makes his way through the victim list, he meets an escort who deals with the same problem. This woman is almost shoehorned with barely any buildup, although she becomes a strange supporting character later. There's plenty of info skimped to accommodate the large cast.
As though it's not complex enough, the movie also throws in religion and political elements at second half. The actual plot becomes heavily muddled with extremely preachy undertone, so much so the development relies on luck and blatant convenient to finish the story. Much of the twists are abrupt, negating the action storyline for the sake of vague propaganda. Furthermore, none of the character or script is enough to hold any interest.
It has a bit of action aspects, but most likely won't keep audience invested through the overly complicated story. There's no satisfying conclusion to be had, considering the movie stacks subplots on top of another until it becomes a messy pile of narrative.
The initial set-up works pretty well, introduction for its protagonist is focused with minimal interruption. However, the film strangely shifts into myriads of other perspectives which are not only hampering the main plot, but seem out of place, especially when it also puts restriction of following an inflexible timeline.
There is viewpoint of the police inspector following the killing spree, but the female chief role is overbearing. It may be to establish an empowering authority figure, yet the actress delivers the personality with shallow unfriendly delivery. As the sniper makes his way through the victim list, he meets an escort who deals with the same problem. This woman is almost shoehorned with barely any buildup, although she becomes a strange supporting character later. There's plenty of info skimped to accommodate the large cast.
As though it's not complex enough, the movie also throws in religion and political elements at second half. The actual plot becomes heavily muddled with extremely preachy undertone, so much so the development relies on luck and blatant convenient to finish the story. Much of the twists are abrupt, negating the action storyline for the sake of vague propaganda. Furthermore, none of the character or script is enough to hold any interest.
It has a bit of action aspects, but most likely won't keep audience invested through the overly complicated story. There's no satisfying conclusion to be had, considering the movie stacks subplots on top of another until it becomes a messy pile of narrative.
