“Peaceful,” Emmanuelle Bercot’s Cesar-winning melodrama which premiered at the Cannes Film Festival, has landed domestic distribution with New York-based banner Distrib US.
Sold by Studiocanal, the movie is headlined by Benoit Magimel and Catherine Deneuve (pictured). Magimel, who won the Cesar Award for best actor — beating fellow nominee Adam Driver — stars as a man dying of cancer. “Peaceful” world premiered out of competition at Cannes where it earn warm reviews.
Distrib US has also acquired “A Tale of Love and Desire” and “Les Inde Galantes,” which are both screening this week at the Film at Lincoln Center as part of the Rendez-Vous with French Cinema in New York. The event is being co-organized by Unifrance, the French film and TV advocacy org.
“Les Inde Galantes,” directed by Philippe Béziat, is a documentary following 30 dancers reprising Jean-Philippe Rameau’s baroque masterpiece on the stage of Paris’s legendary Opéra Bastille.
Sold by Studiocanal, the movie is headlined by Benoit Magimel and Catherine Deneuve (pictured). Magimel, who won the Cesar Award for best actor — beating fellow nominee Adam Driver — stars as a man dying of cancer. “Peaceful” world premiered out of competition at Cannes where it earn warm reviews.
Distrib US has also acquired “A Tale of Love and Desire” and “Les Inde Galantes,” which are both screening this week at the Film at Lincoln Center as part of the Rendez-Vous with French Cinema in New York. The event is being co-organized by Unifrance, the French film and TV advocacy org.
“Les Inde Galantes,” directed by Philippe Béziat, is a documentary following 30 dancers reprising Jean-Philippe Rameau’s baroque masterpiece on the stage of Paris’s legendary Opéra Bastille.
- 3/11/2022
- by Elsa Keslassy
- Variety Film + TV
This year’s ceremony was uncharacteristically devoid of controversy after politically-charged editions in 2020 and 2021.
Xavier Giannoli’s costume drama Lost Illusions was the big winner at the 47th Cesar awards of France’s Academy of Cinema and Arts and Sciences on Friday evening (25), winning best film, adapted screenplay, costume and supporting actor among others.
The adaptation of Honoré de Balzac’s19th-century novel premiered in competition at Venice last year. It was the frontrunner at the nomination stage, making it into 15 of the 24 César categories.
The other big winner of the evening was Leos Carax’s English-language musical Annette. Carax won best director,...
Xavier Giannoli’s costume drama Lost Illusions was the big winner at the 47th Cesar awards of France’s Academy of Cinema and Arts and Sciences on Friday evening (25), winning best film, adapted screenplay, costume and supporting actor among others.
The adaptation of Honoré de Balzac’s19th-century novel premiered in competition at Venice last year. It was the frontrunner at the nomination stage, making it into 15 of the 24 César categories.
The other big winner of the evening was Leos Carax’s English-language musical Annette. Carax won best director,...
- 2/25/2022
- by Melanie Goodfellow
- ScreenDaily
Running Jan. 14-Feb. 14, this year’s MyFrenchFilmFestival, an online fest organized by France’s film-tv promotional body UniFrance, will mark its 12th edition with a more diversified slate and a greater international push.
Showcasing festival gems, animated crowd-pleasers and outré genre fare – all subtitled in 15 languages – the 13 features and 17 shorts of this year’s selection will reach home viewers via 70 partner platforms as well on MyFrenchFilmFestival.com, where all the shorts will be available to screen free of charge.
Though ranging in presentational style from horror-comedy to bittersweet drama, the 10 films in this year’s feature competition often share similar thematic through lines, with nearly half of them looking at youth struggles from one angle or another. While Ludovic and Zoran Boukherma’s werewolf thriller “Teddy” tackles late teen growing pains through a more genre prism, Kamir Aïnouz’s “Honey Cigar” does so as a semi-autobiographical coming-of-age tale; when exploring young adult malaise,...
Showcasing festival gems, animated crowd-pleasers and outré genre fare – all subtitled in 15 languages – the 13 features and 17 shorts of this year’s selection will reach home viewers via 70 partner platforms as well on MyFrenchFilmFestival.com, where all the shorts will be available to screen free of charge.
Though ranging in presentational style from horror-comedy to bittersweet drama, the 10 films in this year’s feature competition often share similar thematic through lines, with nearly half of them looking at youth struggles from one angle or another. While Ludovic and Zoran Boukherma’s werewolf thriller “Teddy” tackles late teen growing pains through a more genre prism, Kamir Aïnouz’s “Honey Cigar” does so as a semi-autobiographical coming-of-age tale; when exploring young adult malaise,...
- 1/5/2022
- by Ben Croll
- Variety Film + TV
Emmanuel Mouret’s “Love Affair(s),” Samir Guesmi’s “Ibrahim” and Elie Wajeman’s “Night Doctor” won top prizes at Colcoa, the French film and TV festival.
The festival, which marked its 25th edition, wrapped at the DGA on Sunset Boulevard in Los Angeles on Nov. 7. It was attended by 14,000 people.
The festival, programmed by Francois Truffart, is organized by the Franco-American Cultural Fund, a collaboration between the Directors Guild of America (DGA), the Motion Picture Association (MPA), The Writers Guild of America West (Wgaw) and France’s Society of Authors, Composers and Publishers of Music (Sacem).
Colcoa shifted its spring dates to the fall in 2019 as the DGA was being renovated and is now ideally positioned at the start of the awards season in the U.S. The awards ceremony took place at the Sacem headquarters near Paris in the presence of many honorees, notably Guesmi and “Love Affair(s)” producer Frédéric Niedermayer,...
The festival, which marked its 25th edition, wrapped at the DGA on Sunset Boulevard in Los Angeles on Nov. 7. It was attended by 14,000 people.
The festival, programmed by Francois Truffart, is organized by the Franco-American Cultural Fund, a collaboration between the Directors Guild of America (DGA), the Motion Picture Association (MPA), The Writers Guild of America West (Wgaw) and France’s Society of Authors, Composers and Publishers of Music (Sacem).
Colcoa shifted its spring dates to the fall in 2019 as the DGA was being renovated and is now ideally positioned at the start of the awards season in the U.S. The awards ceremony took place at the Sacem headquarters near Paris in the presence of many honorees, notably Guesmi and “Love Affair(s)” producer Frédéric Niedermayer,...
- 11/17/2021
- by Elsa Keslassy
- Variety Film + TV
Colcoa, the Los Angeles-based French film festival, will be launching a competitive documentary section at its upcoming 25th edition.
The documentary lineup will tackle contemporary and historical topics such as climate change, immigration, transgender inclusion, holocaust revelations and centenary celebration. Seven documentaries will vie for the 2021 Colcoa Best Documentary Award.
“Documentary films have grown in prominence in France in the past few years, with more than 150 released in theaters in 2019 and strong sales worldwide,” said Colcoa’s deputy director Anouchka van Riel. “We are showing seven of the most innovative documentaries coming out of France today that cover the gamut of style, approach, and artistic vision.”
The roster include the North American premieres of actor-turned-filmmaker Aissa Maiga’s “Above Water” which opened at Cannes in the climate section; Jacques Loeuille’s “Birds of America” about Jean-Jacques Audubon, the American ornithologist, naturalist, and painter; Christophe Cognet’s “From Where They Stood...
The documentary lineup will tackle contemporary and historical topics such as climate change, immigration, transgender inclusion, holocaust revelations and centenary celebration. Seven documentaries will vie for the 2021 Colcoa Best Documentary Award.
“Documentary films have grown in prominence in France in the past few years, with more than 150 released in theaters in 2019 and strong sales worldwide,” said Colcoa’s deputy director Anouchka van Riel. “We are showing seven of the most innovative documentaries coming out of France today that cover the gamut of style, approach, and artistic vision.”
The roster include the North American premieres of actor-turned-filmmaker Aissa Maiga’s “Above Water” which opened at Cannes in the climate section; Jacques Loeuille’s “Birds of America” about Jean-Jacques Audubon, the American ornithologist, naturalist, and painter; Christophe Cognet’s “From Where They Stood...
- 9/10/2021
- by Elsa Keslassy
- Variety Film + TV
Endowed with the Official Selection label, the films by Marie-Castille Mention-Schaar and Danielle Arbid spearhead a slate that also includes the upcoming Philippe Béziat documentary. With a line-up of nine titles, including two features stamped with the Official Selection label, French international sales agent Pyramide International (headed up by Eric Lagesse) will be springing into action at the Cannes Film Festival’s Marché du Film Online (22-26 June). The first film endowed with the label is A Good Man, the sixth feature by Marie-Castille Mention-Schaar (who turned heads on the Piazza Grande at Locarno in 2016 with Heaven Will Wait as well as with the box-office smash Once in a Lifetime in 2014). The cast includes Noémie Merlant, Soko, Vincent Dedienne, Gabriel Almer, Alysson Paradis, Anne Loiret, Geneviève Mnich and Jonas Ben Ahmed.Written by the director together with Christian Sonderegger (Coby), the story revolves around Aude and Benjamin, who have been.
After the sumptuous promise of the rousing La Traviata (The Strayed Woman) operatic music filling the senses, the second thought that springs to mind when beginning to watch this docu-opera is, why is Pierre from Channel 4’s creepy The Returned taking time out from harbouring zombies to masquerading as a theatre/opera director? It throws you just for a second; is it actually a fictional recreation on offer?
The truth is, French actor Jean-François Sivadier has more strings to his bow, and film director Philippe Béziat’s intriguing (but equally frustrating) behind-the-scenes look at getting a production of Verdi’s famous opera off the ground is in fact directed by Sivadier who has a list of theatre credits as a ‘metteur en scène’ (stage director) for at least three other operas.
The story of La Traviata (in three acts) – originally named Violetta after the lead character (played by Met...
The truth is, French actor Jean-François Sivadier has more strings to his bow, and film director Philippe Béziat’s intriguing (but equally frustrating) behind-the-scenes look at getting a production of Verdi’s famous opera off the ground is in fact directed by Sivadier who has a list of theatre credits as a ‘metteur en scène’ (stage director) for at least three other operas.
The story of La Traviata (in three acts) – originally named Violetta after the lead character (played by Met...
- 10/18/2013
- by Lisa Giles-Keddie
- HeyUGuys.co.uk
Browse all the sections of the 57th London Film Festival (Oct 9-20) including the galas, competition titles and individual sections.
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Gala’s
Opening Night
Captain Phillips, Paul Greengrass (Us) Ep
Closing Night
Saving Mr Banks, John Lee Hancock (Us/UK) Ep
Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Gala’s
Opening Night
Captain Phillips, Paul Greengrass (Us) Ep
Closing Night
Saving Mr Banks, John Lee Hancock (Us/UK) Ep
Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...
- 9/4/2013
- ScreenDaily
The 57th BFI London Film Festival line-up has officially been revealed, and it is led by a slew of incredibly promising films, many of which have already been buzzing on the festival circuit, and a number of which will be making their debuts here in London.
As previously announced, Paul Greengrass’ Captain Phillips will open the festival next month, and John Lee Hancock’s Saving Mr. Banks will close it, book-ending the festival with Tom Hanks leading two highly prominent, Oscar-primed movies.
Stephen Frears’ Philomena was also previously announced as the Lff American Express Gala, with The Epic of Everest announced as the Lff Archive Gala.
And leading the line-up alongside them this year will be some of the most Oscar-buzzed movies of 2013, including Steve McQueen’s 12 Years a Slave, Jason Reitman’s Labor Day, Alfonso Cuarón’s Gravity (in 3D), Joel and Ethan Coen’s Inside Llewyn Davis, Terry Gilliam’s The Zero Theorem,...
As previously announced, Paul Greengrass’ Captain Phillips will open the festival next month, and John Lee Hancock’s Saving Mr. Banks will close it, book-ending the festival with Tom Hanks leading two highly prominent, Oscar-primed movies.
Stephen Frears’ Philomena was also previously announced as the Lff American Express Gala, with The Epic of Everest announced as the Lff Archive Gala.
And leading the line-up alongside them this year will be some of the most Oscar-buzzed movies of 2013, including Steve McQueen’s 12 Years a Slave, Jason Reitman’s Labor Day, Alfonso Cuarón’s Gravity (in 3D), Joel and Ethan Coen’s Inside Llewyn Davis, Terry Gilliam’s The Zero Theorem,...
- 9/4/2013
- by Kenji Lloyd
- HeyUGuys.co.uk
"A great singer, chandeliers, champagne, and costumes—we see this at a distance," Jean-François Sivadier says deep into Becoming Traviata, a spare and ravishing doc that positions viewers in the rehearsal room in the weeks leading up to his minimalist production of Verdi's La Traviata. Sivadier is encouraging his star, Natalie Dessay, before a gutsy, scraping-out-the-soul performance of "È Strano" on a stage stripped of the usual operatic extravagance. His vision—shared by the film's director, Philippe Béziat—is of that distance obliterated, of arias and singers and feelings laid bare. Dessay, as much a trouper as she is a brilliant vocalist, puts her head in her hands and then digs deep, pulling from herself a bruised and gorgeous l...
- 5/16/2013
- Village Voice
Director Philippe Béziat brings La Traviata to the screen with Jean-François Sivadier’s Aix-en-Provence production, broken down to its essence, with an intimate portrait of the fiery soprano Natalie Dessay. There are no elaborate sets here, no ornate costuming, powdered faces or lipstick, with the beauty of Becoming Traviata resting in Béziat’s ability to lay bare the creative process while preserving the emotive power of Dessay’s magnificent voice, as well as the story of Verdi’s classic nineteenth century opera. Becoming Traviata is a beautiful documentary that begins with shots of an outdoor theater, the gathering of patrons, a rainy day, and stage craftsmen at work. We move inside, greeted by a stark studio that will soon come to life with the voice of Ms. Dessay as Violetta, our doomed courtesan. Dessay’s frenetic movements cause dizziness, her voice creating a heightened emotional state that leaves one in a joyful paralysis of sorts.
- 5/16/2013
- by Dirk Sonniksen
- SmellsLikeScreenSpirit
Becoming Traviata is not La Traviata, nor should it be. It isn’t a concert documentary. It is about the creation of a single instance of the opera, specifically the 2011 production at the Aix-en-Provence Festival, directed by Jean-François Sivadier and starring Natalie Dessay. A documentary about the creation of a work of art can capture a handful of its greatest moments, but cannot replicate the impact of experiencing the work itself. The film’s director, Philippe Béziat, understands this. Rather than try to capture every facet of this production from start to finish Becoming Traviata focuses on Dessay’s transformation into the protagonist, the courtesan Violetta Valéry. All of this might seem a little much for someone who isn’t entirely familiar with opera in general, or La Traviata in particular. That’s fair, and this film will certainly be more immediately appealing to cognoscenti. Yet Béziat has not made a film solely for its built-in audience...
- 5/15/2013
- by Daniel Walber
- FilmSchoolRejects.com
Col*Coa is winding down, but you can still catch a few stellar films and see the award winners for free Monday, April 22, 2013.
Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.
You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.
Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)
Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.
At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.
Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."
Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.
Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.
Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.
Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.
Below you can see the international sales agents for the current features showing.
11.6 / 11.6 (Isa: Wild Bunch)
Directed by: Philippe Godeau
Written by: Philippe Godeau, Agnès De Sacy
A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)
Directed by: Stéphane Brizé ♀
Written by: Stéphane Brizé, Florence Vignon
Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier
Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement
Directed by: Élie Wajeman
Written by: Élie Wajeman, Gaëlle Macé
Armed Hands / Mains armées (Isa: Films Distribution)
Directed by: Pierre Jolivet
Written by: Pierre Jolivet, Simon Michaël
Augustine / Augustine (Isa: Kinology, U.S.: Music Box)
Directed by: Alice Winocour ♀
Written by: Alice Winocour
Aya Of Yop City / Aya de Yopougon (Isa: TF1)
Directed by: Clément Oubrerie, Marguerite Abouet ♀
Written by: Marguerite Abouet
Bay Of Angels / La Baie des anges (U.S.: Criterion)
Directed by: Jacques Demy
Written by: Jacques Demy
Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)
Directed by: Philippe Béziat
Written by: Philippe Béziat
Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)
Directed by: Philippe Le Guay
Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay
Fly Me To The Moon / Un plan parfait (Isa: Kinology)
Directed By: Pascal Chaumeil
Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen
Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)
Directed by: Christian Vincent
Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch
Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)
Directed by: Nouri Bouzid
Written by: Nouri Bouzid, Joumène Limam
Hold Back / Rengaine (Isa: Pathe)
Directed by: Rachid Djaïdani
Written by: Rachid Djaïdani
In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)
Directed by: François Ozon
Written by: François Ozon
It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)
Directed by: Danièle Thompson ♀
Written by: Danièle Thompson, Christopher Thompson
Jappeloup/ Jappeloup (Isa: Pathe)
Directed by: Christian Duguay
Written by: Guillaume Canet
Le Grand Soir / Le grand soir (Isa: Funny Balloons)
Directed by: Benoît Delépine and Gustave de Kervern
Written by: Benoît Delépine and Gustave de Kervern
Little Lion / Comme un Lion (Isa: Pyramide)
Directed by: Samuel Collardey
Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey
Moon Man / Jean de la lune (Isa: Le Pacte)
Directed By: Stephan Schesch
Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer
Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)
Directed By: Régis Roinsard
Written By: Régis Roinsard, Daniel Presley, Romain Compingt
Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)
Directed by: Anne Novion ♀
Written by: Olivier Massart, Anne Novion, Pierre Novion
Sons Of The Wind / Les Fils du vent (Isa: Wide)
Directed by: Bruno Le Jean
Written by: Bruno Le Jean
Stavisky / Stavisky (1974) (Isa: StudioCanal)
Directed by: Alain Resnais
Written by: Jorge Semprún
The Attack / L’Attentat
France, Belgium, Lebanon, Qatar, 2013
Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)
The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)
Directed by: André Téchiné
Written by: André Téchiné, Jean Gruault, Pascal Bonitzer
The Dandelions / Du Vent dans mes mollets ✡
Directed By: Carine Tardieu ♀
Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer
The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)
Directed by: Louis Malle
Written by: Louis Malle
The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))
Directed By: Sébastien Lifshitz
The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)
Directed by: Jean-Pierre Améris
Written by: Jean-Pierre Améris , Guillaume Laurant
THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)
Directed by: Claude Miller
Written by: Claude Miller, Natalie Carter
Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)
Directed by: Catherine Corsini ♀
Written by: Catherine Corsini, Benoît Graffin
To Our Loves / À nos amours (1983) (U.S. Janus)
Directed By: Maurice Pialat
Written By: Arlette Langmann, Maurice Pialat
True Friends / Amitiés sincères (Isa: Snd Groupe 6)
Directed By: Stéphan Archinard, François Prévôt-Leygonie
Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster
Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)
Directed By: Édouard Deluc
Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot
What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)
Directed by: Alexandre de La Patellière, Matthieu Delaporte
Written by: Alexandre de La Patellière, Matthieu Delaporte
You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)
Directed By: Alain Resnais
Written By: Alain Resnais, Laurent Herbiet...
Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.
You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.
Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)
Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.
At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.
Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."
Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.
Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.
Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.
Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.
Below you can see the international sales agents for the current features showing.
11.6 / 11.6 (Isa: Wild Bunch)
Directed by: Philippe Godeau
Written by: Philippe Godeau, Agnès De Sacy
A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)
Directed by: Stéphane Brizé ♀
Written by: Stéphane Brizé, Florence Vignon
Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier
Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement
Directed by: Élie Wajeman
Written by: Élie Wajeman, Gaëlle Macé
Armed Hands / Mains armées (Isa: Films Distribution)
Directed by: Pierre Jolivet
Written by: Pierre Jolivet, Simon Michaël
Augustine / Augustine (Isa: Kinology, U.S.: Music Box)
Directed by: Alice Winocour ♀
Written by: Alice Winocour
Aya Of Yop City / Aya de Yopougon (Isa: TF1)
Directed by: Clément Oubrerie, Marguerite Abouet ♀
Written by: Marguerite Abouet
Bay Of Angels / La Baie des anges (U.S.: Criterion)
Directed by: Jacques Demy
Written by: Jacques Demy
Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)
Directed by: Philippe Béziat
Written by: Philippe Béziat
Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)
Directed by: Philippe Le Guay
Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay
Fly Me To The Moon / Un plan parfait (Isa: Kinology)
Directed By: Pascal Chaumeil
Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen
Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)
Directed by: Christian Vincent
Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch
Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)
Directed by: Nouri Bouzid
Written by: Nouri Bouzid, Joumène Limam
Hold Back / Rengaine (Isa: Pathe)
Directed by: Rachid Djaïdani
Written by: Rachid Djaïdani
In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)
Directed by: François Ozon
Written by: François Ozon
It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)
Directed by: Danièle Thompson ♀
Written by: Danièle Thompson, Christopher Thompson
Jappeloup/ Jappeloup (Isa: Pathe)
Directed by: Christian Duguay
Written by: Guillaume Canet
Le Grand Soir / Le grand soir (Isa: Funny Balloons)
Directed by: Benoît Delépine and Gustave de Kervern
Written by: Benoît Delépine and Gustave de Kervern
Little Lion / Comme un Lion (Isa: Pyramide)
Directed by: Samuel Collardey
Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey
Moon Man / Jean de la lune (Isa: Le Pacte)
Directed By: Stephan Schesch
Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer
Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)
Directed By: Régis Roinsard
Written By: Régis Roinsard, Daniel Presley, Romain Compingt
Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)
Directed by: Anne Novion ♀
Written by: Olivier Massart, Anne Novion, Pierre Novion
Sons Of The Wind / Les Fils du vent (Isa: Wide)
Directed by: Bruno Le Jean
Written by: Bruno Le Jean
Stavisky / Stavisky (1974) (Isa: StudioCanal)
Directed by: Alain Resnais
Written by: Jorge Semprún
The Attack / L’Attentat
France, Belgium, Lebanon, Qatar, 2013
Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)
The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)
Directed by: André Téchiné
Written by: André Téchiné, Jean Gruault, Pascal Bonitzer
The Dandelions / Du Vent dans mes mollets ✡
Directed By: Carine Tardieu ♀
Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer
The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)
Directed by: Louis Malle
Written by: Louis Malle
The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))
Directed By: Sébastien Lifshitz
The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)
Directed by: Jean-Pierre Améris
Written by: Jean-Pierre Améris , Guillaume Laurant
THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)
Directed by: Claude Miller
Written by: Claude Miller, Natalie Carter
Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)
Directed by: Catherine Corsini ♀
Written by: Catherine Corsini, Benoît Graffin
To Our Loves / À nos amours (1983) (U.S. Janus)
Directed By: Maurice Pialat
Written By: Arlette Langmann, Maurice Pialat
True Friends / Amitiés sincères (Isa: Snd Groupe 6)
Directed By: Stéphan Archinard, François Prévôt-Leygonie
Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster
Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)
Directed By: Édouard Deluc
Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot
What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)
Directed by: Alexandre de La Patellière, Matthieu Delaporte
Written by: Alexandre de La Patellière, Matthieu Delaporte
You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)
Directed By: Alain Resnais
Written By: Alain Resnais, Laurent Herbiet...
- 4/20/2013
- by Sydney Levine
- Sydney's Buzz
If you’re an opera fan, you might really get a kick out of documentary “Becoming Traviata.” The trailer for the film has been released, and from what I can tell about the documentary, it seems like it’ll give fans an up-close look at what it takes to put on a magnificent performance of one of Verdi’s great works. Check it out below the post! “Becoming Traviata,” distributed by Distrib Films, is directed by Philippe Béziat and stars Natalie Dessay, Jean-Francois Sivadier, Louis Langrée. The film will premiere at Film Forum in New York May 15 and in Los Angeles May 24. Go to Distrib Film’s page on “Becoming Traviata” and [ Read More ]
The post Trailer For Becoming Traviata Gives Inside Look At Staging Opera appeared first on Shockya.com.
The post Trailer For Becoming Traviata Gives Inside Look At Staging Opera appeared first on Shockya.com.
- 3/29/2013
- by monique
- ShockYa
City of Lights, City of Angels (running at the Directors Guild Theater in Hollywood from from April 15 to 22) has confirmed its 2013 program of documentary features and short films, whetting our appetite with a few of its titles before the entire lineup is announced March 27. Three films will round out Col-coa’s French documentaries: Bruno LeBlanc’s “The Sons of Wind,” about the followers of jazz guitarist Django Reinhardt; “Becoming Traviata,” writer/director Philippe Béziat’s look at a modern staging of the titular Verdi opera; and Sébastien Lifshitz’s César-award winning “The Invisibles,” a doc tracing the milieu of homosexual society in France from the post-war to the present. Read The Hollywood Reporter’s review of “The Invisibles” from the 2012 Cannes Film Festival here. Along with 19 other shorts in competition, the French film festival will also premiere Olivier Nakache and Eric Toledano's short film follow-up to their Oscar-nominated “The Intouchables...
- 3/22/2013
- by Ryan Lattanzio
- Thompson on Hollywood
One week prior to the March 26th announcement of the full line up of films in competition for the Col•Coa Awards 2013, the annual French film festival in Hollywood reveals a little more of its program for the 17th edition, taking place from April 15-22 in the Directors Guild of America complex.
International Premiere Of Duo Nakache/Toledano’S New Film At Col•Coa
One year after the success of Olivier Nakache and Eric Toledano’s The Intouchables at Col•Coa (Col•Coa Audience Award, Col•Coa Lafca Critics Award 2012), they produced the new short film Clean, directed by Benjamin Bouhana,
starring Laurent Lafitte, which will open the festival and the short films competition on April 15.
Line Up Confirmed For The Col•Coa Short Film Award 2013 Competition
Nineteen new short films will compete for the Col•Coa Awards:
505G, written and directed by Jérémy Azencott
75 Canaries, written and directed by Philippe Prouff
À la française, co-written and co-directed by Morrigane Boyer, Julien Hazebroucq, Ren-Hsien Hsu, Emmanuelle Leleu, William Lorton
Clay, written and directed by Michaël Guerraz
Just Before Losing Everything, written and directed by from Xavier Legrand
Bella B., written and directed by Jan-Luck Levasseur
Bet She’an, written and directed by Julien Soler
Bad Toys II, written and directed by Daniel Brunet et Nicolas Douste
Clean, co-written and co-directed by Olivier Nakache and Eric Toledano
Come What May, co-written and co-directed by Maxime Feyers et Mathieu Bergeron
Fragments of a standstill trip, written and directed by Lionel Mougin
Fuck U.K., written and directed by Benoît Forgeard
The Inn, written and directed by Izú Troin
The Lizards, written and directed by Vincent Mariette
Kiki of Montparnasse, written and directed by Amélie Harrault
My Sweetheart, written and directed by Daniel Metge
Leaving, written and directed by Joanna Lurie
Time 2 Split, written and directed by Fabrice Bracq
City of Light, written and directed Pascal Tessaud
Col•Coa.doc: French Documentary In The Spotlight In Hollywood
Three films will round up the documentary section at Col•Coa 2013:
- The Sons of Wind (Les Fils du Vent) directed by Bruno Le Blanc, produced by Les Films du Veyrier. The documentary about the followers or spiritual sons of guitarist Django Reinhardt will be presented at Col•Coa as a North American Premiere.
- Becoming Traviata (La Traviata et nous) written and directed by Philippe Béziat, produced by Les Films Pelléas. A mise en scene look at the modern staging of Verdi’s opera La Traviata in Aix-en-Provence with internationally acclaimed soprano Natalie Dessay will be showing at Col•Coa as a four-month tour of Natalie Dessay starts in the U.S. Distrib Films will distribute the film in the U.S..
- The Invisibles (Les Invisibles) directed by Sébastien Lifshitz, produced by Zadig Films. Taking home the Best Documentary César for 2013, eight months after its official selection at the Cannes Film Festival, The Invisibles traces the evolution of French society from the post-war years to the present from the perspective of homosexual men and women. It will be presented as a U.S. Premiere at Col•Coa. It will be released in the U.S. afterwards by Distrib Films.
These three films will be in competition along side 28 feature films for the Col•Coa Awards 2013.
From April 15 to April 22, 2013, will be the 17th edition of Col•Coa « A Week Of French Film Premieres In Hollywood » in the prestigious theaters of the Directors Guild of America.
Col•Coa was created by the Franco-American Cultural Fund, a unique collaborative effort of the Directors Guild of America, the Motion Picture Association, the Writers Guils of America West, and France’s Society of Authors, Composers and Publishers of Music (Sacem). Col•Coa is also supported by France’s Society of Authors, Directors and Producers (L’Arp), the Film and TV Office of the French Embassy in Los Angeles, the Cnc and Unifrance.
For more information: www.colcoa.org...
International Premiere Of Duo Nakache/Toledano’S New Film At Col•Coa
One year after the success of Olivier Nakache and Eric Toledano’s The Intouchables at Col•Coa (Col•Coa Audience Award, Col•Coa Lafca Critics Award 2012), they produced the new short film Clean, directed by Benjamin Bouhana,
starring Laurent Lafitte, which will open the festival and the short films competition on April 15.
Line Up Confirmed For The Col•Coa Short Film Award 2013 Competition
Nineteen new short films will compete for the Col•Coa Awards:
505G, written and directed by Jérémy Azencott
75 Canaries, written and directed by Philippe Prouff
À la française, co-written and co-directed by Morrigane Boyer, Julien Hazebroucq, Ren-Hsien Hsu, Emmanuelle Leleu, William Lorton
Clay, written and directed by Michaël Guerraz
Just Before Losing Everything, written and directed by from Xavier Legrand
Bella B., written and directed by Jan-Luck Levasseur
Bet She’an, written and directed by Julien Soler
Bad Toys II, written and directed by Daniel Brunet et Nicolas Douste
Clean, co-written and co-directed by Olivier Nakache and Eric Toledano
Come What May, co-written and co-directed by Maxime Feyers et Mathieu Bergeron
Fragments of a standstill trip, written and directed by Lionel Mougin
Fuck U.K., written and directed by Benoît Forgeard
The Inn, written and directed by Izú Troin
The Lizards, written and directed by Vincent Mariette
Kiki of Montparnasse, written and directed by Amélie Harrault
My Sweetheart, written and directed by Daniel Metge
Leaving, written and directed by Joanna Lurie
Time 2 Split, written and directed by Fabrice Bracq
City of Light, written and directed Pascal Tessaud
Col•Coa.doc: French Documentary In The Spotlight In Hollywood
Three films will round up the documentary section at Col•Coa 2013:
- The Sons of Wind (Les Fils du Vent) directed by Bruno Le Blanc, produced by Les Films du Veyrier. The documentary about the followers or spiritual sons of guitarist Django Reinhardt will be presented at Col•Coa as a North American Premiere.
- Becoming Traviata (La Traviata et nous) written and directed by Philippe Béziat, produced by Les Films Pelléas. A mise en scene look at the modern staging of Verdi’s opera La Traviata in Aix-en-Provence with internationally acclaimed soprano Natalie Dessay will be showing at Col•Coa as a four-month tour of Natalie Dessay starts in the U.S. Distrib Films will distribute the film in the U.S..
- The Invisibles (Les Invisibles) directed by Sébastien Lifshitz, produced by Zadig Films. Taking home the Best Documentary César for 2013, eight months after its official selection at the Cannes Film Festival, The Invisibles traces the evolution of French society from the post-war years to the present from the perspective of homosexual men and women. It will be presented as a U.S. Premiere at Col•Coa. It will be released in the U.S. afterwards by Distrib Films.
These three films will be in competition along side 28 feature films for the Col•Coa Awards 2013.
From April 15 to April 22, 2013, will be the 17th edition of Col•Coa « A Week Of French Film Premieres In Hollywood » in the prestigious theaters of the Directors Guild of America.
Col•Coa was created by the Franco-American Cultural Fund, a unique collaborative effort of the Directors Guild of America, the Motion Picture Association, the Writers Guils of America West, and France’s Society of Authors, Composers and Publishers of Music (Sacem). Col•Coa is also supported by France’s Society of Authors, Directors and Producers (L’Arp), the Film and TV Office of the French Embassy in Los Angeles, the Cnc and Unifrance.
For more information: www.colcoa.org...
- 3/18/2013
- by Sydney Levine
- Sydney's Buzz
You could count me as enthusiastic for this year’s initial New York Film Festival lineup — no, I won’t even bother listing all the auteurs — so hats off to Lincoln Center for making it all the better. In unveiling their Masterworks, Cinema Reflected, On the Arts, and Special Events selection, it’s become evident that 2012 will bring forth a glut of outside-the-lines works.
The most notable of these would be an 8k Lawrence of Arabia restoration; a documentary “preview” from Oliver Stone; Odd Man Out, the follow-up to 2008′s excellent Roman Polanski: Wanted and Desired; the acclaimed Kubrick documentary, Room 237; something about Ingmar Bergman & Liv Ullmann; and even The Princess Bride. Talk about something for everybody.
Read the list below:
Masterworks
Lawrence of Arabia (David Lean, 1962, UK/USA)
The screen’s greatest epic returns in a magnificent 8K restoration. A Sony Pictures Repertory release.
Snow White and the Seven Dwarfs (David Hand,...
The most notable of these would be an 8k Lawrence of Arabia restoration; a documentary “preview” from Oliver Stone; Odd Man Out, the follow-up to 2008′s excellent Roman Polanski: Wanted and Desired; the acclaimed Kubrick documentary, Room 237; something about Ingmar Bergman & Liv Ullmann; and even The Princess Bride. Talk about something for everybody.
Read the list below:
Masterworks
Lawrence of Arabia (David Lean, 1962, UK/USA)
The screen’s greatest epic returns in a magnificent 8K restoration. A Sony Pictures Repertory release.
Snow White and the Seven Dwarfs (David Hand,...
- 8/21/2012
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
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