A Loving Father (2002) Poster

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6/10
lots of great moments but it loses its way
planktonrules28 November 2005
There were some amazing performances in this movie, as, at times, it delved into interesting material about parenting and relationships with neglectful parents. However, each time when the characters started to dig deeper within themselves to reveal more, the movie interrupted the focus--often into rather irrelevant directions. This is probably because most people with emotional baggage attempt to confront the past but become scared and run from it. Despite this, I still wanted to see much more exploration between the father and son. In addition, I wanted to see more than just a one-dimensional performance by the daughter throughout all but the closing moments of the film (she always seemed intensely and disproportionately angry throughout the film). It was as if the movie was put into production before there was a chance to edit and do re-writes and smooth out all the details--especially the very end of the film that made very little sense. Overall, it's interesting and has moments but could have been better.

By the way, Gerard's real life son plays his son in the movie. He looked an awful lot like a French version of Julian Sands (the somewhat obscure English actor).
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5/10
Daddy long-Scars
writers_reign4 February 2006
Warning: Spoilers
On the basis that Depardieu Senior is always watchable, Sylvie Testud is one of the finest of the younger generation of French actresses and it cost only five euros I bought this DVD knowing that the movie had bombed in the salles but little else. It seems clear that Jacob Berger, himself the son of a noted writer, is attempting to work through his own hang-ups via a movie and the consensus appears to be, fine, go right ahead BUT make sure you don't forget the movie part. Alas, it wasn't to be so what we have is a mish-mosh at best. It's possible that Berger was aiming for irony in making the leading character a Nobel prize-winner but a total failure at fatherhood; the message seems to be why not aim at winning a prize for parenting and THEN think of competing for the Dynamite money. Contrary to what is on display here Guillaume Depardieu can actually act better than this, not much maybe but certainly a little, I know, because I've seen him but if this were his first film he'd probably never get another unless he financed it himself. Sylvie Testud is under used and given little to do except personify angst but as always she does it as well as it can be done. Other than that ... well, what do you want for five euros.
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6/10
Cat's in the cradle...
=G=11 August 2004
"A Loving Father" tells of a writer who is en route to pick up his Nobel prize when his trip is interrupted by an estranged son. This road trip flick focuses on the real life father/son Depardieu duo as it meanders through a spotty mire of family dysfunction issues. The sometimes engaging story is fraught with moments of implausibility, a seemingly concocted conclusion, and a trite moral which seems to be "Love your children because payback's a bitch". With good quality in all aspects except story, "A Loving Father" has been largely ignored by the critics and received only a few fringe awards with nominal plaudits from the public. Only for fans of the players or French cinema. (B-)
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Some good acting, really bad ending
jpom2222 September 2004
I'm not a big fan of Depardieu, but always felt he had good potential, so I gave this film a shot. Mostly a mistake. Depardieu Jr. has a long way to go before his lack of talent and obvious opportunist entry into the industry will be forgiven. The director's personal vendetta is irrelevant, since the story is universal, but this particular treatment wasn't bad. Just that really stupidly contrived ending! Why an eskimo "inner child"? Totally distracting, killing any afterglow the film's emotional tone had attempted to create. The costume and set design were either non-existent or inappropriate. And if one of the too many surreal glimpses of the ubiquitous and annoying inner child was shot incorrectly, do it over! Don't shoot the same glimpse from a different angle! What was Berger thinking? Definitely not a must see.
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6/10
disturbing and not very good
leslieann-122 February 2008
Warning: Spoilers
i was distracted by the fact that this is a real father-son team and knowing something of their real life stories, i kept looking for the genuineness of emotion i thought might be lurking - it wasn't there though.

the daughter is as stifling and neurotic as her father says she is, and as deranged as her brother who kidnaps their father is - entirely dour and sometimes totally uncomfortable film. despite the son's saying things are resolved for him (which we don't believe), if i were their father i'd want to vanish too to get away from them and from his life, which Berger shows us is shovelling horse's excrement some of the time, literally, anyway... the son's weak character must be a deterrent to any development of a relationship and his decision to drive aimlessly somewhere with his entrapped father does not have any significance, in fact, it is a failure. and who was Arthur, the dark-haired chap? why would anyone love or marry that awful daughter, if he is her husband.

but,as ever, when he is on the scene, Gerard Depardieu dominates and is so much more compelling a figure than anyone else - but i suspect at some moments in the car, etc, with his son, he decided to play it down, not only because he lacked good dialogue, but in a mistakenly generous gesture, he may not have wanted to outshine the vapid acting of his unattractive son.this even further ruins the film. a disappointing and cringe-making experience. sorry, i did not like this at all. compare it to the film "Elisa" in which Paradis plays Depardieu's angry daughter - they have an equally tricky relationship but the script is so much better and it is far more genuine and significant even if not entirely perfect. i resent having paid any money for this film at all - it is shambles and mostly the writer is to blame!
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6/10
Very sad to watch
HotToastyRag15 August 2019
A Loving Father is a difficult movie to watch for obvious reasons. While in most of their movies together, father and son Gérard and Guillaume Depardieu play older and younger versions of each other, in this movie they play a father and son with a bad relationship. At the time of its release, it might have been worth it to see good acting and hope the characters onscreen, a successful father and a son who can't measure up, could help them reconcile their relationship offscreen. Now, it's very sad to watch, if you're able to get through it. It just hits a little too close to home, as hurt and frustration radiates off both of them constantly.

Gérard is a Nobel Prize recipient who gets involved in a motorcycle accident while on the way to Stockholm. His estranged son discovers the accident and, after calling the French equivalent of 911, tucks his dad into his car and drives away. They hear on the radio that Gérard's wallet was discovered and he's presumed dead, and Guillaume takes advantage of the opportunity to have a father-son chat and hopefully fix their issues.

See what I mean about not being able to get through the movie? If you were able to watch Whitney Houston in Sparkle, I guess you'll be able to watch the Depardieus in A Loving Father. Just keep in mind that it's very sad. There are some other scenes with Sylvie Testud, Gérard's daughter, who has her own anger issues about her brother and her father, so you will have a break from time to time. If you don't even know what I'm talking about, then you'll be fine and you'll see some very good acting.
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4/10
Unpleasant and Pointless
claudio_carvalho4 November 2007
In the country of France, the writer Leo Shepherd (Gérard Depardieu) lives with his daughter Virginia (Sylvie Testud), who organizes his life. When the Swedish Academy awards Leo with the Nobel Prize for Literature, his son Paul (Guillaume Depardieu) unsuccessfully tries to contact him by phone, but Virginia does not allow Paul to talk to his father. Leo decides to go to Stockholm driving his motorcycle, and Paul follows him by car trying to speak with Leo. While trying to escape from Paul, Leo evolves in an accident on the road with another bike, a car and a truck and Paul kidnaps his slightly injured father. The police commit a mistake in the identification of one of the victims of the accident and announce the death of Leo. Meanwhile, Paul forces his father to listen to him, and along their conversation, a resentful relationship from both sides is disclosed.

"Aime Ton Père" is a deceptive movie about the relationship of a dysfunctional family that goes nowhere. The unpleasant and pointless story begins with a terrible development of characters, and it seems that Virginia is married with the black-haired guy (probably Arthur) and has an affair with the strong guy. The troubled relationship of Paul and Leo has accusations, resentments and pain but there is no final message. Further, there is no explanation why Leo has not written for three years. The conclusion of this empty story is absolutely disappointing. My vote is four.

Title (Brazil): "Meu Pai, Meu Filho" ("My Father, My Son")
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9/10
The Emotional Limitations of a Great Artist: A Very Realistic Portrayal
film_ophile24 February 2009
I must begin by emphasizing that the English title of this film is completely inappropriate. The correct translation of the French title is the imperative- Love Your Father.I think this fact is very key in the director's intention, as the story is really about that construct and not that of the erroneous The Loving Father.

I rarely feel so differently from other IMDb posters as I apparently do on this film. For me, Love Your Father was very realistic in its portrayal of all of the characters and their interactions.The messiness of it all, the many unanswered questions of motivation and action,history and future, were all part of a very realistic believable picture of a highly dysfunctional family.I suspected that the end would not clean up the mess,and it did not. However, I did think that the ferry and Nobel scenes showed that the brother and sister had finally really understood and accepted that they would never get what they had always wanted, and they could move forward as adults.As unexplained as it was, the very end gave me an interpretation of the future for the main character,cleanly echoed in the overlaid words of the Nobel recitation.So I did experience closure.

What I took away from the film is that great artists create and give great art to the world; they are driven to do this; it is not a rational or controllable decision for them. At the same time, they are often incapable of giving great things anywhere else in their lives.Almost invariably , they cannot give friends and family the love those people crave and deserve. So the 'loved ones' suffer immensely. Many other films and books have shown this irony; I thought Love Your Father did a terrific job of exposing it.
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4/10
Disappointed
mdefranc23 June 2005
I am usually not so strict and judgmental in my comments however I must say that, besides being a rather dramatic example of a spoiled father-son relationship, I have found this movie to be long and extremely empty in its plot.

Its cold strokes remind me a lot of Chabrol's "Merci pour le Chocolat", with Isabelle Huppert and Jacques Dutronc. I must say that, although I am a Depardieu's fan in most cases, Aime Ton Pere has left me empty handed at the end of the tape. I can't really say much about Guillame Depardieu, given the movie's lack of plot and spinal cord and the fact that I haven't had a chance to analyze his other performances. I can already say though that he belongs to a different breed of actors than the one Gerard comes from. If you care to see a cold and cynical Depardieu senior in a true quality performance, 36 Quai des Orferves will keep you on your toes.
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9/10
acting quality upgraded the movie
mrmarkab127 June 2004
The high level of acting and the intensity of the performances raised the overall quality of the film. Though aspects of the film may have been somewhat unrealistic,it was certainly true to itself. I also believe that it just as easily relates to any father/son relationship (where there is an inability to get past ones self and their own feelings)as it does to a famous father/son relationship. As one of the other people who issued a comment "that the film was only a form of therapy for the director" I would say that almost any work of art that is deeply felt is in a sense a form of therapy for the artist. Hopefully the therapy helped. I certainly enjoyed it.
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1/10
Director self-therapy
bandiko30 March 2004
This piece can hardly be regarded as movie: some aspects suggests it is intended to be one (actors, story, materials used etc.), but actually it is self-therapy effort for director Jacob Berger, whose father was John Berger well known English writer. It seems that the father figure (or at lest his artistic success) suppressed the talent of his son, and he wanted to release himself from this pressure by talking about it. But alas he used movie as a medium instead of visiting a psychiatrist: his problem remains personal, we can not relate to it. As a movie it is very poor, full of improbabilities, primitive psychology, and one-dimensional characters. I do not think anyone can profit from seeing this movie. One from twenty-five stars.
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10/10
Powerful story of family relations
barryscott7 April 2003
This movie is an extremely gripping story of family relations involving a famous father. Both Depardieus are wonderful but I was blown away by the performance of Sylvie Testud. She riveted me every moment that she was on the screen. The story focuses on Leo Shepherd (Gérard Depardieu)a famous writer on the verge of winning a Nobel prize and examines what life is like for those in the family where the father is the focus of international attention and adoration. Other family members are left to identify themselves relative to the father. While the focus of the film is on a famous father, the power children give their parents makes many of this film's story lines relevant to all.
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