Ariana Grande looked amazing on September 4 at the 2013 Style Awards in New York City. Read more about how you can get her look below!
The 2013 Style Awards kicked off the Spring 2014 Fashion Week on September 4 at Lincoln Center. Ariana Grande performed at the prestigious awards show in front of celebs, designers and stylists. She looked amazing — we’ll help you get her look below!
Ariana Grande At Style Awards — Gorgeous Hair & Makeup
Ariana tweeted before the show: “Getting ready to perform Tattooed heart at the Style awards tonight ♡”
We were so excited to hear her sing, especially since her debut album Yours Truly hit stores on September 3!
She looked so pretty — she definitely has the retro beauty look down pat!
With her signature half-up hairstyle, she wore her brown hair in pretty curls. To compliment her white dress, she wore a pretty bold, red lip.
Her eyes were expertly lined...
The 2013 Style Awards kicked off the Spring 2014 Fashion Week on September 4 at Lincoln Center. Ariana Grande performed at the prestigious awards show in front of celebs, designers and stylists. She looked amazing — we’ll help you get her look below!
Ariana Grande At Style Awards — Gorgeous Hair & Makeup
Ariana tweeted before the show: “Getting ready to perform Tattooed heart at the Style awards tonight ♡”
We were so excited to hear her sing, especially since her debut album Yours Truly hit stores on September 3!
She looked so pretty — she definitely has the retro beauty look down pat!
With her signature half-up hairstyle, she wore her brown hair in pretty curls. To compliment her white dress, she wore a pretty bold, red lip.
Her eyes were expertly lined...
- 9/5/2013
- by Dory Larrabee
- HollywoodLife
In theaters September 6th, here’s the new trailer for Populaire.
Spring, 1958. 21-year-old Rose Pamphyle lives with her grouchy widower father who runs the village store. Engaged to the son of the local mechanic, she seems destined for the quiet, drudgery-filled life of a housewife. But that’s not the life Rose longs for. When she travels to Lisieux in Normandy, where charismatic insurance agency boss Louis Echard is advertising for a secretary, the ensuing interview is a disaster. But Rose reveals a special gift – she can type at extraordinary speed. Unwittingly, the young woman awakens the dormant sports fan in Louis. If she wants the job she’ll have to compete in a speed typing competition. Whatever sacrifices Rose must make to reach the top, Louis declares himself her trainer. He’ll turn her into the fastest girl not only in the country, but in the world! But a...
Spring, 1958. 21-year-old Rose Pamphyle lives with her grouchy widower father who runs the village store. Engaged to the son of the local mechanic, she seems destined for the quiet, drudgery-filled life of a housewife. But that’s not the life Rose longs for. When she travels to Lisieux in Normandy, where charismatic insurance agency boss Louis Echard is advertising for a secretary, the ensuing interview is a disaster. But Rose reveals a special gift – she can type at extraordinary speed. Unwittingly, the young woman awakens the dormant sports fan in Louis. If she wants the job she’ll have to compete in a speed typing competition. Whatever sacrifices Rose must make to reach the top, Louis declares himself her trainer. He’ll turn her into the fastest girl not only in the country, but in the world! But a...
- 5/7/2013
- by Michelle McCue
- WeAreMovieGeeks.com
Col*Coa is winding down, but you can still catch a few stellar films and see the award winners for free Monday, April 22, 2013.
Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.
You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.
Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)
Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.
At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.
Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."
Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.
Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.
Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.
Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.
Below you can see the international sales agents for the current features showing.
11.6 / 11.6 (Isa: Wild Bunch)
Directed by: Philippe Godeau
Written by: Philippe Godeau, Agnès De Sacy
A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)
Directed by: Stéphane Brizé ♀
Written by: Stéphane Brizé, Florence Vignon
Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier
Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement
Directed by: Élie Wajeman
Written by: Élie Wajeman, Gaëlle Macé
Armed Hands / Mains armées (Isa: Films Distribution)
Directed by: Pierre Jolivet
Written by: Pierre Jolivet, Simon Michaël
Augustine / Augustine (Isa: Kinology, U.S.: Music Box)
Directed by: Alice Winocour ♀
Written by: Alice Winocour
Aya Of Yop City / Aya de Yopougon (Isa: TF1)
Directed by: Clément Oubrerie, Marguerite Abouet ♀
Written by: Marguerite Abouet
Bay Of Angels / La Baie des anges (U.S.: Criterion)
Directed by: Jacques Demy
Written by: Jacques Demy
Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)
Directed by: Philippe Béziat
Written by: Philippe Béziat
Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)
Directed by: Philippe Le Guay
Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay
Fly Me To The Moon / Un plan parfait (Isa: Kinology)
Directed By: Pascal Chaumeil
Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen
Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)
Directed by: Christian Vincent
Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch
Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)
Directed by: Nouri Bouzid
Written by: Nouri Bouzid, Joumène Limam
Hold Back / Rengaine (Isa: Pathe)
Directed by: Rachid Djaïdani
Written by: Rachid Djaïdani
In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)
Directed by: François Ozon
Written by: François Ozon
It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)
Directed by: Danièle Thompson ♀
Written by: Danièle Thompson, Christopher Thompson
Jappeloup/ Jappeloup (Isa: Pathe)
Directed by: Christian Duguay
Written by: Guillaume Canet
Le Grand Soir / Le grand soir (Isa: Funny Balloons)
Directed by: Benoît Delépine and Gustave de Kervern
Written by: Benoît Delépine and Gustave de Kervern
Little Lion / Comme un Lion (Isa: Pyramide)
Directed by: Samuel Collardey
Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey
Moon Man / Jean de la lune (Isa: Le Pacte)
Directed By: Stephan Schesch
Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer
Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)
Directed By: Régis Roinsard
Written By: Régis Roinsard, Daniel Presley, Romain Compingt
Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)
Directed by: Anne Novion ♀
Written by: Olivier Massart, Anne Novion, Pierre Novion
Sons Of The Wind / Les Fils du vent (Isa: Wide)
Directed by: Bruno Le Jean
Written by: Bruno Le Jean
Stavisky / Stavisky (1974) (Isa: StudioCanal)
Directed by: Alain Resnais
Written by: Jorge Semprún
The Attack / L’Attentat
France, Belgium, Lebanon, Qatar, 2013
Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)
The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)
Directed by: André Téchiné
Written by: André Téchiné, Jean Gruault, Pascal Bonitzer
The Dandelions / Du Vent dans mes mollets ✡
Directed By: Carine Tardieu ♀
Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer
The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)
Directed by: Louis Malle
Written by: Louis Malle
The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))
Directed By: Sébastien Lifshitz
The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)
Directed by: Jean-Pierre Améris
Written by: Jean-Pierre Améris , Guillaume Laurant
THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)
Directed by: Claude Miller
Written by: Claude Miller, Natalie Carter
Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)
Directed by: Catherine Corsini ♀
Written by: Catherine Corsini, Benoît Graffin
To Our Loves / À nos amours (1983) (U.S. Janus)
Directed By: Maurice Pialat
Written By: Arlette Langmann, Maurice Pialat
True Friends / Amitiés sincères (Isa: Snd Groupe 6)
Directed By: Stéphan Archinard, François Prévôt-Leygonie
Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster
Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)
Directed By: Édouard Deluc
Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot
What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)
Directed by: Alexandre de La Patellière, Matthieu Delaporte
Written by: Alexandre de La Patellière, Matthieu Delaporte
You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)
Directed By: Alain Resnais
Written By: Alain Resnais, Laurent Herbiet...
Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.
You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.
Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)
Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.
At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.
Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."
Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.
Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.
Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.
Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.
Below you can see the international sales agents for the current features showing.
11.6 / 11.6 (Isa: Wild Bunch)
Directed by: Philippe Godeau
Written by: Philippe Godeau, Agnès De Sacy
A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)
Directed by: Stéphane Brizé ♀
Written by: Stéphane Brizé, Florence Vignon
Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier
Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement
Directed by: Élie Wajeman
Written by: Élie Wajeman, Gaëlle Macé
Armed Hands / Mains armées (Isa: Films Distribution)
Directed by: Pierre Jolivet
Written by: Pierre Jolivet, Simon Michaël
Augustine / Augustine (Isa: Kinology, U.S.: Music Box)
Directed by: Alice Winocour ♀
Written by: Alice Winocour
Aya Of Yop City / Aya de Yopougon (Isa: TF1)
Directed by: Clément Oubrerie, Marguerite Abouet ♀
Written by: Marguerite Abouet
Bay Of Angels / La Baie des anges (U.S.: Criterion)
Directed by: Jacques Demy
Written by: Jacques Demy
Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)
Directed by: Philippe Béziat
Written by: Philippe Béziat
Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)
Directed by: Philippe Le Guay
Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay
Fly Me To The Moon / Un plan parfait (Isa: Kinology)
Directed By: Pascal Chaumeil
Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen
Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)
Directed by: Christian Vincent
Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch
Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)
Directed by: Nouri Bouzid
Written by: Nouri Bouzid, Joumène Limam
Hold Back / Rengaine (Isa: Pathe)
Directed by: Rachid Djaïdani
Written by: Rachid Djaïdani
In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)
Directed by: François Ozon
Written by: François Ozon
It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)
Directed by: Danièle Thompson ♀
Written by: Danièle Thompson, Christopher Thompson
Jappeloup/ Jappeloup (Isa: Pathe)
Directed by: Christian Duguay
Written by: Guillaume Canet
Le Grand Soir / Le grand soir (Isa: Funny Balloons)
Directed by: Benoît Delépine and Gustave de Kervern
Written by: Benoît Delépine and Gustave de Kervern
Little Lion / Comme un Lion (Isa: Pyramide)
Directed by: Samuel Collardey
Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey
Moon Man / Jean de la lune (Isa: Le Pacte)
Directed By: Stephan Schesch
Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer
Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)
Directed By: Régis Roinsard
Written By: Régis Roinsard, Daniel Presley, Romain Compingt
Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)
Directed by: Anne Novion ♀
Written by: Olivier Massart, Anne Novion, Pierre Novion
Sons Of The Wind / Les Fils du vent (Isa: Wide)
Directed by: Bruno Le Jean
Written by: Bruno Le Jean
Stavisky / Stavisky (1974) (Isa: StudioCanal)
Directed by: Alain Resnais
Written by: Jorge Semprún
The Attack / L’Attentat
France, Belgium, Lebanon, Qatar, 2013
Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)
The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)
Directed by: André Téchiné
Written by: André Téchiné, Jean Gruault, Pascal Bonitzer
The Dandelions / Du Vent dans mes mollets ✡
Directed By: Carine Tardieu ♀
Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer
The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)
Directed by: Louis Malle
Written by: Louis Malle
The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))
Directed By: Sébastien Lifshitz
The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)
Directed by: Jean-Pierre Améris
Written by: Jean-Pierre Améris , Guillaume Laurant
THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)
Directed by: Claude Miller
Written by: Claude Miller, Natalie Carter
Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)
Directed by: Catherine Corsini ♀
Written by: Catherine Corsini, Benoît Graffin
To Our Loves / À nos amours (1983) (U.S. Janus)
Directed By: Maurice Pialat
Written By: Arlette Langmann, Maurice Pialat
True Friends / Amitiés sincères (Isa: Snd Groupe 6)
Directed By: Stéphan Archinard, François Prévôt-Leygonie
Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster
Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)
Directed By: Édouard Deluc
Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot
What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)
Directed by: Alexandre de La Patellière, Matthieu Delaporte
Written by: Alexandre de La Patellière, Matthieu Delaporte
You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)
Directed By: Alain Resnais
Written By: Alain Resnais, Laurent Herbiet...
- 4/20/2013
- by Sydney Levine
- Sydney's Buzz
We’ve got more news from the FX Upfronts today, including the exciting announcement of five limited series with some big names attached to them. The first one up is a 10-episode run of Fargo, that will premiere in the Spring of 2014. Production will begin this fall and Joel & Ethan Coen will be executive producers along with Warren Littlefield. Noah Hawley (Bones, The Unusuals) is going to write series.
Editor’S Pick: Justified and Sons of Anarchy in Spring Madness Tourney
President and General Manager, FX Networks, John Landgraf announced that it will be a true crime series with a new case and new set of characters with the trademark Fargo style, sense of humor and charm that made the 1996 murder mystery a cult favorite and Academy Award-winning film.
“For years, people have tried to adapt this Academy Award-winning gem into a TV series with no success,” said Landgraf in a statement.
Editor’S Pick: Justified and Sons of Anarchy in Spring Madness Tourney
President and General Manager, FX Networks, John Landgraf announced that it will be a true crime series with a new case and new set of characters with the trademark Fargo style, sense of humor and charm that made the 1996 murder mystery a cult favorite and Academy Award-winning film.
“For years, people have tried to adapt this Academy Award-winning gem into a TV series with no success,” said Landgraf in a statement.
- 3/28/2013
- by Ernie Estrella
- BuzzFocus.com
The star flaunts her edgy side and proves her style is so versatile at the Germany premiere of her latest flick in a seriously sexy look. Skin is definitely in on the red carpet! Get a 360 view of her backless plunging jumpsuit right here.
Selena Gomez shows that looking fabulous is the best break up revenge! Selena definitely turned the heat up on Feb. 19 at the Berlin premiere of Spring Breakers in her stunning black suit with 24-karat gold pinstripes. Could she be flaunting her cleavage to get Justin Bieber‘s attention?
Selena’s ‘Spring Breakers’ Look Was Her Sexiest Yet
Selena’s pantsuit at the Spring Breakers premiere held at the Cinestar Potsdamer Platz in Berlin was gorgeous. Selena looked all grownup and just totally sexy. This suit is from Atelier Versace’s Spring 2013 collection and it was the perfect look for this night.
The broad gold shoulders made...
Selena Gomez shows that looking fabulous is the best break up revenge! Selena definitely turned the heat up on Feb. 19 at the Berlin premiere of Spring Breakers in her stunning black suit with 24-karat gold pinstripes. Could she be flaunting her cleavage to get Justin Bieber‘s attention?
Selena’s ‘Spring Breakers’ Look Was Her Sexiest Yet
Selena’s pantsuit at the Spring Breakers premiere held at the Cinestar Potsdamer Platz in Berlin was gorgeous. Selena looked all grownup and just totally sexy. This suit is from Atelier Versace’s Spring 2013 collection and it was the perfect look for this night.
The broad gold shoulders made...
- 2/20/2013
- by Chloe Melas
- HollywoodLife
Toronto – On July 24th, Piers Handling, CEO and Director of Tiff, and Cameron Bailey, Artistic Director, unveiled some of the films that will headline the 37th Toronto International Film Festival.
According to Bailey, Tiff 2012 will include the “most diverse Gala programme to date with films from Japan, China, India, the United Kingdom, Denmark, Italy, USA and Canada”.
Handling describes this year’s festival as looking “particularly strong” with a wide variety of work from “established and emerging filmmakers.”
Toronto audiences will be first in line to see many “exciting and prestigious films” with further announcements slated in the coming weeks. Until then, here is a sample of what you can expect to see:
Looper (Opening Night film, World Premiere)
Rian Johnson, USA
Starring Joseph Gordon-Levitt, Bruce Willis, Emily Blunt, Paul Dano, Jeff Daniels
Directed by Rian Johnson (Brick, The Brothers Bloom), Looper is a futuristic action thriller set in a...
According to Bailey, Tiff 2012 will include the “most diverse Gala programme to date with films from Japan, China, India, the United Kingdom, Denmark, Italy, USA and Canada”.
Handling describes this year’s festival as looking “particularly strong” with a wide variety of work from “established and emerging filmmakers.”
Toronto audiences will be first in line to see many “exciting and prestigious films” with further announcements slated in the coming weeks. Until then, here is a sample of what you can expect to see:
Looper (Opening Night film, World Premiere)
Rian Johnson, USA
Starring Joseph Gordon-Levitt, Bruce Willis, Emily Blunt, Paul Dano, Jeff Daniels
Directed by Rian Johnson (Brick, The Brothers Bloom), Looper is a futuristic action thriller set in a...
- 8/1/2012
- by Justin Li
- SoundOnSight
Toronto – On July 24th, Piers Handling, CEO and Director of Tiff, and Cameron Bailey, Artistic Director, unveiled some of the films that will headline the 37th Toronto International Film Festival.
According to Bailey, Tiff 2012 will include the “most diverse Gala programme to date with films from Japan, China, India, the United Kingdom, Denmark, Italy, USA and Canada”.
Handling describes this year’s festival as looking “particularly strong” with a wide variety of work from “established and emerging filmmakers.”
Toronto audiences will be first in line to see many “exciting and prestigious films” with further announcements slated in the coming weeks. Until then, here is a sample of what you can expect to see:
Looper (Opening Night film, World Premiere)
Rian Johnson, USA
Starring Joseph Gordon-Levitt, Bruce Willis, Emily Blunt, Paul Dano, Jeff Daniels
Directed by Rian Johnson (Brick, The Brothers Bloom), Looper is a futuristic action thriller set in a...
According to Bailey, Tiff 2012 will include the “most diverse Gala programme to date with films from Japan, China, India, the United Kingdom, Denmark, Italy, USA and Canada”.
Handling describes this year’s festival as looking “particularly strong” with a wide variety of work from “established and emerging filmmakers.”
Toronto audiences will be first in line to see many “exciting and prestigious films” with further announcements slated in the coming weeks. Until then, here is a sample of what you can expect to see:
Looper (Opening Night film, World Premiere)
Rian Johnson, USA
Starring Joseph Gordon-Levitt, Bruce Willis, Emily Blunt, Paul Dano, Jeff Daniels
Directed by Rian Johnson (Brick, The Brothers Bloom), Looper is a futuristic action thriller set in a...
- 7/25/2012
- by Justin Li
- SoundOnSight
Jayne Mansfield.s Car
Piers Handling, CEO and Director of Tiff, and Cameron Bailey, Artistic Director of the Toronto International Film Festival, made the first announcement of films to premiere at the 37th Toronto International Film Festival. Films announced include titles in the Galas and Special Presentations programmes. The announced films include 17 Galas and 45 Special Presentations, including 38 world premieres.
Toronto audiences will be the first to see the world premieres of films from directors Andrew Adamson, Ben Affleck, David Ayer, Maiken Baird, Noah Baumbach, J.A. Bayona, Stuart Blumberg, Josh Boone, Laurent Cantet, Sergio Castellitto, Stephen Chbosky, Lu Chuan, Derek Cianfrance, Nenad Cicin-Sain, Costa-Gavras, Ziad Doueiri, Liz Garbus, Dustin Hoffman, Rian Johnson, Neil Jordan, Baltasar Kormákur, Shola Lynch, Deepa Mehta, Roger Michell, Nishikawa Miwa, Ruba Nadda, Mike Newell, François Ozon, Sally Potter, Robert Pulcini & Shari Springer Berman, Eran Riklis, David O. Russell, Gauri Shinde, Ben Timlett & Bill Jones & Jeff Simpson, Tom Tykwer & Andy Wachowski & Lana Wachowski,...
Piers Handling, CEO and Director of Tiff, and Cameron Bailey, Artistic Director of the Toronto International Film Festival, made the first announcement of films to premiere at the 37th Toronto International Film Festival. Films announced include titles in the Galas and Special Presentations programmes. The announced films include 17 Galas and 45 Special Presentations, including 38 world premieres.
Toronto audiences will be the first to see the world premieres of films from directors Andrew Adamson, Ben Affleck, David Ayer, Maiken Baird, Noah Baumbach, J.A. Bayona, Stuart Blumberg, Josh Boone, Laurent Cantet, Sergio Castellitto, Stephen Chbosky, Lu Chuan, Derek Cianfrance, Nenad Cicin-Sain, Costa-Gavras, Ziad Doueiri, Liz Garbus, Dustin Hoffman, Rian Johnson, Neil Jordan, Baltasar Kormákur, Shola Lynch, Deepa Mehta, Roger Michell, Nishikawa Miwa, Ruba Nadda, Mike Newell, François Ozon, Sally Potter, Robert Pulcini & Shari Springer Berman, Eran Riklis, David O. Russell, Gauri Shinde, Ben Timlett & Bill Jones & Jeff Simpson, Tom Tykwer & Andy Wachowski & Lana Wachowski,...
- 7/24/2012
- by Michelle McCue
- WeAreMovieGeeks.com
By Sean O’Connell
Hollywoodnews.com: Earlier, we brought you a snapshot glance at the first wave of programming announced for the 2012 Toronto International Film Festival. Shortly after, the fest released a thorough breakdown of the Galas and Special Presentations for this year’s event, which kicks off on Thursday, Sept. 6.
So far, 17 Galas and 45 Special Presentations have been announced, including 38 world premieres. Andrew Adamson, Ben Affleck, David Ayer, Maiken Baird, Noah Baumbach, J.A. Bayona, Stuart Blumberg, Josh Boone, Laurent Cantet, Sergio Castellitto, Stephen Chbosky, Lu Chuan, Derek Cianfrance, Nenad Cicin-Sain, Costa-Gavras, Ziad Doueiri, Liz Garbus, Dustin Hoffman, Rian Johnson, Neil Jordan, Baltasar Kormákur, Shola Lynch, Deepa Mehta, Roger Michell, Nishikawa Miwa, Ruba Nadda, Mike Newell, François Ozon, Sally Potter, Robert Pulcini & Shari Springer Berman, Eran Riklis, David O. Russell, Gauri Shinde, Ben Timlett & Bill Jones & Jeff Simpson, Tom Tykwer & Andy Wachowski & Lana Wachowski, Margarethe von Trotta, Joss Whedon and...
Hollywoodnews.com: Earlier, we brought you a snapshot glance at the first wave of programming announced for the 2012 Toronto International Film Festival. Shortly after, the fest released a thorough breakdown of the Galas and Special Presentations for this year’s event, which kicks off on Thursday, Sept. 6.
So far, 17 Galas and 45 Special Presentations have been announced, including 38 world premieres. Andrew Adamson, Ben Affleck, David Ayer, Maiken Baird, Noah Baumbach, J.A. Bayona, Stuart Blumberg, Josh Boone, Laurent Cantet, Sergio Castellitto, Stephen Chbosky, Lu Chuan, Derek Cianfrance, Nenad Cicin-Sain, Costa-Gavras, Ziad Doueiri, Liz Garbus, Dustin Hoffman, Rian Johnson, Neil Jordan, Baltasar Kormákur, Shola Lynch, Deepa Mehta, Roger Michell, Nishikawa Miwa, Ruba Nadda, Mike Newell, François Ozon, Sally Potter, Robert Pulcini & Shari Springer Berman, Eran Riklis, David O. Russell, Gauri Shinde, Ben Timlett & Bill Jones & Jeff Simpson, Tom Tykwer & Andy Wachowski & Lana Wachowski, Margarethe von Trotta, Joss Whedon and...
- 7/24/2012
- by Sean O'Connell
- Hollywoodnews.com
2012′s Toronto International Film Festival is set to officially announce its initial line-up later today, but Variety let the cat out of the bag, at least partially; and it’s quite astounding. Most of our most-anticipated films of the year will be premiering at the Canadian festival, notably Terrence Malick‘s To the Wonder, Wachowskis & Tom Tykwer‘s epic-sounding Cloud Atlas, Rian Johnson‘s Looper (which will open the fest), Ben Affleck‘s Argo, Dereck Cianfrance‘s The Place Beyond the Pines and much, more more.
Coming from Sundance, the only mentioned film was Ben Lewis‘ John Hawkes-starring The Sessions, while Cannes premieres include Matteo Garrone‘s Reality, Thomas Vinterberg‘s The Hunt, Pablo Larrain‘s No and Jacques Audiard‘s Rust and Bone. One of the biggest surprises is a new film from Noah Baumbach, starring Greta Gerwing titled Frances Ha. There’s also The Avengers director Joss Whedon...
Coming from Sundance, the only mentioned film was Ben Lewis‘ John Hawkes-starring The Sessions, while Cannes premieres include Matteo Garrone‘s Reality, Thomas Vinterberg‘s The Hunt, Pablo Larrain‘s No and Jacques Audiard‘s Rust and Bone. One of the biggest surprises is a new film from Noah Baumbach, starring Greta Gerwing titled Frances Ha. There’s also The Avengers director Joss Whedon...
- 7/24/2012
- by jpraup@gmail.com (thefilmstage.com)
- The Film Stage
Ten and a half years of marriage for celebrities is a huge accomplishment. Let’s face it, staying together in Hollywood is not the easiest thing to do. Despite Vanessa Bryant owning the deeds to three mansions and being entitled to half of Kobe Bryant’s money, it looks like the two are working toward a reconciliation, according to TMZ. The site reports that Vanessa will not sign the paperwork that would make her divorce from the Lakerstar final. Vanessa may have had a change of heart about the man she’s been with since she was 17-years-old, but the two have yet to move back in together.
California law mandates a six month waiting period from the date of filing before the divorce is officially final. This weekend marks the six month period for the couple. When Vanessa filed for divorce in December the ‘net went bananas about the non-existent prenup.
California law mandates a six month waiting period from the date of filing before the divorce is officially final. This weekend marks the six month period for the couple. When Vanessa filed for divorce in December the ‘net went bananas about the non-existent prenup.
- 6/12/2012
- by Bene Viera
- TheFabLife - Movies
As science-fiction fans, the concept is classic: What if you really did have a chance to fix the mistakes of your past. Would you do it? Could you do it? Hell, would you even recognize that you actually made mistakes in the first place? Those are the questions Carlos Pedraza posed in his screenplay for "Judas Kiss," an independent film starring Charlie David ("Dante's Cove"), Richard Harmon ("Caprica," "The Killing"), Sean Paul Lockhart ("Milk") and Timo Descamps ("Spring"). Pedraza, best known to genre fans for his work in online productions such as "Star Trek: New Voyages" and "Star Trek: Hidden Frontier," made a huge leap to the big screen ... and survived to tell about it. What can you say about "Judas Kiss" without giving away the store. It's hard to do. What I can tell ...
- 4/20/2011
- GeekNation.com
Back in February, Ioncinema.com reported on the completion of an upcoming Canada-France production starring Déborah François, Hiroshi Abe, and Hidetoshi Nishijima called Memories Corner. Apparently news travels slow, because the project is just now beginning to get some coverage in Japan.
François plays a reporter who travels to Kobe in order to cover the memorial ceremonies being held for the 10th anniversary of the Great Hanshin earthquake. While interviewing the locals, she discovers that although the passage of time has healed the city, the traumatic events of that day still cast a large shadow. Full plot details are still yet to be revealed, but Abe is said to play a man who falls in love with François’s character. Nishijima, who recently had to study Thai for his role in “Sayonara Itsuka”, once again had to go multilingual to play her interpreter.
The film was directed by Audrey Fouché...
François plays a reporter who travels to Kobe in order to cover the memorial ceremonies being held for the 10th anniversary of the Great Hanshin earthquake. While interviewing the locals, she discovers that although the passage of time has healed the city, the traumatic events of that day still cast a large shadow. Full plot details are still yet to be revealed, but Abe is said to play a man who falls in love with François’s character. Nishijima, who recently had to study Thai for his role in “Sayonara Itsuka”, once again had to go multilingual to play her interpreter.
The film was directed by Audrey Fouché...
- 10/21/2010
- Nippon Cinema
Under the artistic direction of designer Marc Jacobs, Louis Vuitton has evolved into a luxury empire that not only encompasses lavish fashion, but experiments in art, and architecture. In "Louis Vuitton: Art, Fashion, and Architecture," the history of Vuitton's world is examined by fashion and art historians, scholars, and journalists via essays and hundreds of color photos of Lv products, ads, and other sweet monogrammed goodness. Here is a taste from this vibrant anthology.
Lauded for his leather goods since 1854, Louis Vuitton's handiwork has stood as a symbol of wealth, charm, and prosperity; His classic monogrammed Speedy bag becoming the most famous indicator of a jet-setting lifestyle. Fast forward to the 21st century, under the artistic direction of designer Marc Jacobs, Lv has evolved into a luxury empire that not only encompasses lavish fashion, but experiments in art, and architecture, as well. In Louis Vuitton: Art, Fashion, and Architecture, the...
Lauded for his leather goods since 1854, Louis Vuitton's handiwork has stood as a symbol of wealth, charm, and prosperity; His classic monogrammed Speedy bag becoming the most famous indicator of a jet-setting lifestyle. Fast forward to the 21st century, under the artistic direction of designer Marc Jacobs, Lv has evolved into a luxury empire that not only encompasses lavish fashion, but experiments in art, and architecture, as well. In Louis Vuitton: Art, Fashion, and Architecture, the...
- 8/3/2009
- Fast Company
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